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OverviewThis book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film’s images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film’s meaning and influencing audience response. Synthesising findings from research in the psychology of music in multimedia, as well as from ideas sourced in semiotics, film music, and poststructuralist theory, this interdisciplinary book provides a holistic perspective that reflects the complexity of moments of film-music incongruence. With case studies including well-known films such as Gladiator and The Shawshank Redemption, this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music. Full Product DetailsAuthor: David IrelandPublisher: Springer Nature Switzerland AG Imprint: Springer Nature Switzerland AG Edition: 1st ed. 2018 ISBN: 9783030405236ISBN 10: 3030405230 Pages: 248 Publication Date: 27 November 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Introduction.- Part I: Identifying Incongruence.- 2. Interrogating (In)congruence: The Incongruent Perspective.- 3. Identifying (In)congruence.- Part II: Interpreting Incongruence.- 4. Introduction to Part II.- 5. Intradomain Incongruence in the Opening Battle Sequence From Gladiator.- 6. Mozart, Harmonicas, and Aesthetic Incongruence in The Shawshank Redemption.- 7. Jazz, Kazoos, and Conceptual Incongruence in The Informant!.- 8. Duran Duran and Semantic Incongruence in L4yer Cake.- 9. Conclusions.ReviewsAuthor InformationDavid Ireland is Lecturer in music psychology at the University of Leeds, UK. He has previously published on incongruent film music in the interdisciplinary Constructing Crime collection (2012), as well as The Soundtrack and Music and the Moving Image journals. Tab Content 6Author Website:Countries AvailableAll regions |
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