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OverviewKnown for her radical textile sculptures combining natural materials with traditional crafts, Chilean artist and poet Cecilia Vicuña explores themes of ecology, community, and social justice. Showcasing Vicuña's extraordinary new work, commissioned for Tate Modern's Turbine Hall, this book also contains inspiring and illuminating new writing, and a conversation between the artist and Tate curator Catherine Wood. This is the latest volume in a major series that explores the conception and creation of each Hyundai Commission as well as offering an overview of in the artist’s work and career leading up to the latest ground-breaking installation. Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world’s most memorable and acclaimed works of contemporary art, reaching an audience of millions each year. The way artists have interpreted this vast industrial space has revolutionised public awareness of contemporary art, and the annual Commission gives artists an opportunity to create new work for this unique context. Vicuña's commission will be open to the public from 11 October 2022 to 16 April 2023 at Tate Modern. Full Product DetailsAuthor: Catherine Wood , Chus Martínez (Director, Art Institute at FHNW Academy of Art and Design, Basel) , Luke Roberts (Lecturer in Modern Poetry, King's College London) , Cecilia VicuñaPublisher: Tate Publishing Imprint: Tate Publishing Edition: Paperback original ISBN: 9781849768351ISBN 10: 1849768358 Pages: 160 Publication Date: 05 January 2023 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationCatherine Wood is Director of Programme at Tate Modern, and curator of contemporary art and performance. At Tate she has co-curated numerous exhibitions including The World as a Stage (2007), Pop Life (2010) and A Bigger Splash: Painting after Performance (2012), as well as co-directing the opening programme for the Tate Tanks in 2012 titled, Art in Action. She has programmed numerous performance works at Tate since 2003, including works by Mark Leckey, Joan Jonas, Guy de Cointet, Jiri Kovanda and Sturtevant, and initiated the online project, Performance Room in 2011. Wood is author of Yvonne Rainer: The Mind is a Muscle (2007, Afterall/MIT Press). A regular contributor to Afterall, Artforum and Mousse magazines, she has also written numerous catalogue essays, recently on Joachim Koester, Piotr Uklanski and Sung Hwan Kim. Chus Martínez is Director, Art Institute at FHNW Academy of Art and Design, Basel Luke Roberts is Lecturer in Modern Poetry, King's College London Tab Content 6Author Website:Countries AvailableAll regions |
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