Humour in Contemporary France: Controversy, Consensus and Contradictions

Author:   Jonathan Ervine (School of Languages, Literatures and Linguistics, Bangor University)
Publisher:   Liverpool University Press
Volume:   3
ISBN:  

9781802077414


Pages:   208
Publication Date:   01 October 2022
Format:   Paperback
Availability:   In Print   Availability explained
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Humour in Contemporary France: Controversy, Consensus and Contradictions


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Author:   Jonathan Ervine (School of Languages, Literatures and Linguistics, Bangor University)
Publisher:   Liverpool University Press
Imprint:   Liverpool University Press
Volume:   3
ISBN:  

9781802077414


ISBN 10:   1802077413
Pages:   208
Publication Date:   01 October 2022
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgements Introduction: Humour: a serious issue in contemporary France Chapter One: Charlie Hebdo: from controversy to consensus? Chapter Two: Dieudonné: from anti-racist activism to allegations of anti-Semitism Chapter Three: Jamel Comedy Club: stand-up comedy à la française? Chapter Four: Islam and humour: more than just a debate about cartoons Conclusions Bibiliography Index

Reviews

Reviews 'This is a well-researched, accessible and timely book. It deals with very important issues in an informed and illuminating way.' John Marks, University of Nottingham


Reviews 'This is a well-researched, accessible and timely book. It deals with very important issues in an informed and illuminating way.' John Marks, University of Nottingham ‘Ervine’s monograph is one of the most fascinating and thought-provoking monographs I have recently read… making us think and reconsider our own assumptions as humour analysts and problematizing concepts and arguments we take for granted concerning, among many other things, the “innocuous”, “inconsequential”, “playful”, or “subversive” character of humour and its “primarily” entertaining function in the public sphere.’ Villy Tsakona, European Journal of Humour Research


Author Information

Jonathan Ervine is a Senior Lecturer in French and Francophone Studies at Bangor University.

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