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Although he has hitherto remained somewhat overlooked, Hugo Haring was a key figure of the Modern Movement, first as secretary of the Ring, the principal organization for Modernists in the 1920s, and second as the main theorist for the Organic stream in German architecture. Trained at the Technische Hochschule Stuttgart under Theodor Fischer, Haring's career as a Modernist began when he moved to Berlin in 1921. There he was befriended by Ludwig Mies van der Rohe, whose office he was invited to share, and this became a centre of debate for the new direction in architecture. The two architects set up the Ring, which by 1926 included every German Modernist of note. Its members dominated the WeiBenhofsiedlung of 1927, for which Mies was artistic director, and its success also prepared the way for the CIAM congresses, which Haring attended as Ring representative. Despite their political collaboration, Haring and Mies pursued projects in increasingly opposed directions, clarifying each other's position by contrast. Mies pursued general solutions and repeated types, advocating rational construction and flexibility of use, while Haring sought the utmost specificity to function and place - which meant that each building, even each element of a building, deserved to develop its own individual form. The key example was Gut Garkau near Lubeck of 1924/25, with its cowshed of a pearshaped plan devised around the requirements and rituals of farming.

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9783930698912

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Peter Blundell Jones, professor of architecture at the University of sheffield, has long been concerned with the organic movement in architecture and has written extensively about it, including a substantial work on Hans Scharoun. The present book is not just a biography of Haring, but an unusually detailed analysis of his architectural work, including many unbuilt projects which have never before been published. It also includes an account of Haring's theory, with translated extracts from his many writings. Through setting Haring within his historical context, and differentiating his position from figures such as Mies, Le Corbusier and Hannes Meyer, Peter Blundell Jones suggests a radical reframing of the early Modern Movement. He was aided in the development of the book by Haring's personal assistant in the late years, Margot Aschenbrenner, who was trained as a philosopher.

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