How to Make Music in an Epidemic: Popular Music Making During the AIDS Crisis, 1981-1996

Author:   Matthew Jones
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367860431


Pages:   214
Publication Date:   07 June 2024
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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How to Make Music in an Epidemic: Popular Music Making During the AIDS Crisis, 1981-1996


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Overview

This volume examines responses to the epidemic of HIV/AIDS in Anglophone popular musicians and music video during the AIDS crisis (1981–1996). Through close reading of song lyrics, musical texts, and music videos, this book demonstrates how music played an integral part in the artistic-activist response to the AIDS epidemic, demonstrating music as a way to raise money for HIV/AIDS services, to articulate affective responses to the epidemic, to disseminate public health messages, to talk back to power, and to bear witness to the losses of AIDS. Drawing methodologies from musicology, queer theory, critical race studies, public health, and critical theory, the book will be of interest to a wide readership, including artists, activists, musicians, historians, and other scholars across the humanities as well as to people who lived through the AIDS crisis.

Full Product Details

Author:   Matthew Jones
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367860431


ISBN 10:   0367860430
Pages:   214
Publication Date:   07 June 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Matthew J. Jones is Assistant Professor of Musicology in the Wanda L. Bass School of Music at Oklahoma City University. His work explores the intersections of music and LGBTQ+ history, culture, and activism, particularly music and the HIV/AIDS crisis.

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