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OverviewCan the pressures women feel to look good be traced to the 16th century? As the Renaissance visual world became populated by female nudes by the likes of Michelangelo and Titian, a vibrant literary scene of beauty tips emerged - fuelling debates about cosmetics and adornment, with 'solutions' to worries about everything from podgy upper arms, smelly armpits, droopy breasts, stretch marks and bad breath. Telling the stories of courtesans, artists, actors and writers rebelling against the strictures of their time, when burgeoning colonialism gave rise to increasingly sinister evaluations of bodies and skin colour, this book puts beauty culture into the frame. It will make you question your ideas about your own body, and ask: why are women often so critical of their appearance? What do we stand to lose, but also to gain, from beauty culture? What is the relationship between looks and power? Full Product DetailsAuthor: Jill BurkePublisher: Profile Books Ltd Imprint: Wellcome Collection Edition: Main Dimensions: Width: 15.80cm , Height: 3.80cm , Length: 23.60cm Weight: 0.595kg ISBN: 9781788166669ISBN 10: 1788166663 Pages: 336 Publication Date: 03 August 2023 Audience: General/trade , College/higher education , Professional and scholarly , General , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsA lively and intriguing exploration of female life in the Renaissance, lifting the lid on anxieties and aspirations that will sound oddly familiar to any 21st century reader. You'll never look at Renaissance portraits in the same way -- Maggie O'Farrell Taking a fresh, women-led perspective, Burke highlights a rich tapestry of female experience that encompasses everyone from artisans to aristocrats ... the everyday women mixing their own beauty products should rightly be considered chemists and botanists. Successfully creating these cosmetics required knowledge of plants and their properties, as well as how to transform them via different techniques. Renaissance women had greater scientific knowledge and experience than they are often credited with * The Times * A total eye-opener, I loved it -- Nuala McGovern, BBC Radio 4 Woman's Hour A lively and intriguing exploration of female life in the Renaissance, lifting the lid on anxieties and aspirations that will sound oddly familiar to any 21st century reader. You'll never look at Renaissance portraits in the same way -- Maggie O'Farrell Terrific ... Drawing on early published beauty pamphlets, letters, poems, songs, diaries and recipe books, not to mention treatises by both men and women and the rich material of Renaissance art, [Burke] has emerged with enough knowledge to open her own Renaissance Body Shop ... The book is that rare thing, a serious history that is both accessible and entertaining - no more so than when it comes to the age-old debate as to whether women's commitment to beauty is a sign of weakness, a pandering to male desire or a form of empowerment * Literary Review * Taking a fresh, women-led perspective, Burke highlights a rich tapestry of female experience that encompasses everyone from artisans to aristocrats ... the everyday women mixing their own beauty products should rightly be considered chemists and botanists. Successfully creating these cosmetics required knowledge of plants and their properties, as well as how to transform them via different techniques. Renaissance women had greater scientific knowledge and experience than they are often credited with * The Times * Shapewear. Stretch mark remedies. Nose jobs. Eyebrow shaping. These things are not just preoccupations of ours, but also concerned the women of the Renaissance. Through paintings of the Italian Renaissance, Burke offers a fun, informative and occasionally sobering look at the lives of women across social strata -- Editor's Pick * New York Times * If you think that pressures on women to look their best, either through chemical enhancements or using filters on Instagram, are a modern invention, then Jill Burke's new book is a timely reminder that our ancestors were undergoing the medieval equivalent 500 years ago ... Some of the most compelling parts of the book detail female solidarity and friendship in this visual society ... The book finishes with an amusing and engrossing section of real-life Renaissance beauty recipes for the brave to try - from the relatively innocuous honey and egg eye cream to a non-toxic version of the skin lightener that beauties used on their faces ... But there's a serious message behind the book: the tyranny of beauty ideals has been with us for centuries * Mail on Sunday * An erudite, witty and engaging history of cosmetics and beauty ... lavishly illustrated and hugely entertaining -- Anna Carey * Irish Times * A total eye-opener, I loved it -- Nuala McGovern, BBC Radio 4 Woman's Hour A lively and intriguing exploration of female life in the Renaissance, lifting the lid on anxieties and aspirations that will sound oddly familiar to any 21st century reader. You'll never look at Renaissance portraits in the same way -- Maggie O'Farrell Terrific ... Drawing on early published beauty pamphlets, letters, poems, songs, diaries and recipe books, not to mention treatises by both men and women and the rich material of Renaissance art, [Burke] has emerged with enough knowledge to open her own Renaissance Body Shop ... The book is that rare thing, a serious history that is both accessible and entertaining - no more so than when it comes to the age-old debate as to whether women's commitment to beauty is a sign of weakness, a pandering to male desire or a form of empowerment * Literary Review * Taking a fresh, women-led perspective, Burke highlights a rich tapestry of female experience that encompasses everyone from artisans to aristocrats ... the everyday women mixing their own beauty products should rightly be considered chemists and botanists. Successfully creating these cosmetics required knowledge of plants and their properties, as well as how to transform them via different techniques. Renaissance women had greater scientific knowledge and experience than they are often credited with * The Times * A lively and intriguing exploration of female life in the Renaissance, lifting the lid on anxieties and aspirations that will sound oddly familiar to any 21st century reader. You'll never look at Renaissance portraits in the same way -- Maggie O'Farrell Author InformationProfessor Jill Burke is a historian of the body and its visual representation, focusing on Italy and Europe 1400-1700. She is the Principal Investigator of a Royal Society funded project, 'Renaissance Goo', at the University of Edinburgh, working with a soft matter scientist to remake Renaissance cosmetic and skincare recipes. It is part of a wider investigation into how people in the Renaissance tried to look good - how they sought to change their bodies, faces and hairstyles to meet beauty ideals. @profjill_burke Tab Content 6Author Website:Countries AvailableAll regions |
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