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OverviewFull Product DetailsAuthor: Carolyn DinshawPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.20cm Weight: 0.408kg ISBN: 9780822353676ISBN 10: 0822353679 Pages: 272 Publication Date: 14 December 2012 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPreface ix Acknowledgments xvii Introduction. How Soon Is Now? 1 1. Asynchrony Stories: Monks, Kings, Sleepers, and Other Time Travelers 41 2. Temporally Oriented: The Book of John Mandeville, British India, Philology, and the Postcolonial Medievalist 73 3. In the Now: Margery Kempe, Hope Emily Allen, and Me 105 4. Out of Sync in the Catskills: Rip van Winkle, Geoffrey Crayon, James I, and Other Ghosts 129 Epilogue. The Lay of the Land: Amateur Medievalism and Queer Love in A Canterbury Tale 153 Notes 171 Bibliography 223 Index 245ReviewsEntering into an elegant slipstream of generative, generous, rigorous thought, Carolyn Dinshaw proves again her exquisite power to enchant her readers. Uniquely attractive as a theorist of time, she brilliantly addresses a temporal spread, from the seeming irrationality of medieval temporality to modernity's 'stingy' outlook on the senses. As I read How Soon Is Now? I found her signal emphases - reading, temporality, non-linearity, queer historicity, and medieval mysticism - mattering to me, a queer theorist and non-medievalist, in the novel ways she said they would. Kathryn Bond Stockton, author of The Queer Child, or Growing Sideways in the Twentieth Century How do queers relate to the distant past and experience time? Carolyn Dinshaw's answer to this question in How Soon is Now? ranges through astute literary criticism, cogently argued theory, and snippets of autobiography. The result is a provocative essay about the value and presence of the past that is also at times profoundly moving. Her account of the amateur scholar's privileged relation to asynchrony and affective engagement with the object of study should give all in the academy pause for thought. Simon Gaunt, author of Love and Death in Medieval French and Occitan Courtly Literature: Martyrs to Love Carolyn Dinshaw writes with love, learning, and endless good humor about asynchrony, the amateur, and the complex queerness of both. How Soon Is Now? is full of asynchrony stories, both medieval and modern, stories in which time is out of joint or so full as to be irresolvable into the the narrowly sequential conception of time that remains one of the driving engines of the heteronormative imagination. Rather than rejecting the past or the future, Dinshaw argues for the asynchrony of a now in which the very distinction between past, present, and future becomes impossible to make. In a series of beautiful and moving readings, Dinshaw makes us think about what we love. I want more life. Who can argue with that simple but extraordinary claim? Amy Hollywood, author of Sensible Ecstasy: Mysticism, Sexual Difference, and the Demands of History How Soon Is Now? balances urgency with careful reflection and offers a model for scholars to achieve the confidence to recognize when ideas need to be developed slowly-because, sometimes, some things, some people, and some ideas are worth the wait. -- Erin Felicia Labbie Modern Philology [An] inspiring meditation on the nature of time ... arguing powerfully for the possibilities opened up by relationships to the past which Dinshaw identifies as queer. -- Elizabeth Elliot Year's Work in English Studies Carolyn Dinshaw writes with love, learning, and endless good humor about asynchrony, the amateur, and the complex queerness of both. How Soon Is Now? is full of asynchrony stories, both medieval and modern, stories in which time is out of joint or so full as to be irresolvable into the the narrowly sequential conception of time that remains one of the driving engines of the heteronormative imagination. Rather than rejecting the past or the future, Dinshaw argues for the asynchrony of a now in which the very distinction between past, present, and future becomes impossible to make. In a series of beautiful and moving readings, Dinshaw makes us think about what we love. I want more life. Who can argue with that simple but extraordinary claim? -Amy Hollywood, author of Sensible Ecstasy: Mysticism, Sexual Difference, and the Demands of History Carolyn Dinshaw writes with love, learning, and endless good humor about asynchrony, the amateur, and the complex queerness of both. How Soon Is Now? is full of asynchrony stories, both medieval and modern, stories in which time is out of joint or so full as to be irresolvable into the narrowly sequential conception of time that remains one of the driving engines of the heteronormative imagination. Rather than rejecting the past or the future, Dinshaw argues for the asynchrony of a now in which the very distinction between past, present, and future becomes impossible to make. In a series of beautiful and moving readings, Dinshaw makes us think about what we love. 'I want more life.' Who can argue with that simple but extraordinary claim? -Amy Hollywood, author of Sensible Ecstasy: Mysticism, Sexual Difference, and the Demands of History Entering into an elegant slipstream of generative, generous, rigorous thought, Carolyn Dinshaw proves again her exquisite power to enchant her readers. Uniquely attractive as a theorist of time, she brilliantly addresses a temporal spread, from the seeming irrationality of medieval temporality to modernity's 'stingy' outlook on the senses. As I read How Soon Is Now?, I found her signal emphases-reading, temporality, non-linearity, queer historicity, and medieval mysticism-mattering to me, a queer theorist and non-medievalist, in the novel ways she said they would. -Kathryn Bond Stockton, author of The Queer Child, or Growing Sideways in the Twentieth Century How do queers relate to the distant past and experience time? Carolyn Dinshaw's answer to this question in How Soon is Now? ranges through astute literary criticism, cogently argued theory, and snippets of autobiography. The result is a provocative essay about the value and presence of the past that is also at times profoundly moving. Her account of the amateur scholar's privileged relation to asynchrony and affective engagement with the object of study should give all in the academy pause for thought. -Simon Gaunt, author of Love and Death in Medieval French and Occitan Courtly Literature: Martyrs to Love Carolyn Dinshaw's third full-length monograph demands attention from those who do contemporary queer studies and medieval literary studies alike, and from those trying to figure out a less-alienated relationship to academic work in an increasingly corporatized university... This book is clearly a labor of love while also an argument for falling in love with queer studies all over again. -- Masha Raskolnikov GLQ How Soon Is Now? is scholarly, eminently readable, and insightful. Creative in its structure and wide in its ambit, Dinshaw's long-awaited book cogently argues that the now we inhabit is denser with possibility than we have imagined-and that medieval writers as well as their amateur readers have known this conjunctive truth for a long time. The book is required reading for anyone interested in the intersections among history, community, textuality, sexuality, writing, dreaming, loving-that is, for anyone who cares about the humanities today. -- Jeffrey Jerome Cohen Clio [D]elightfully original and thoughtful...Highly recommended. -- C.S. Cox Choice Dinshaw has written a delightful book that takes pleasure in its subject; both professional and nonprofessional readers could enjoy and learn from it... Because How Soon Is Now? argues that there is no fundamental distinction between amateur and professional, it welcomes both categories of reader into the book and into the field of medieval studies. -- Andrea Lankin Journal of Medieval Religious Cultures Author InformationCarolyn Dinshaw is Professor of English, and Social and Cultural Analysis at New York University. She is the author of Getting Medieval: Sexualities and Communities, Pre- and Postmodern, also published by Duke University Press, and Chaucer's Sexual Poetics. Dinshaw is a founding coeditor of GLQ: A Journal of Lesbian and Gay Studies. Tab Content 6Author Website:Countries AvailableAll regions |
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