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Author:   Aviva Briefel ,  Sam J. Miller
Publisher:   University of Texas Press
Imprint:   University of Texas Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9780292726628

ISBN 10:   0292726627
Pages:   273
Publication Date:   01 November 2011
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Acknowledgments Introduction (Aviva Briefel and Sam J. Miller) Part One. Why Horror? Chapter 1. Black Screens, Lost Bodies: The Cinematic Apparatus of 9/11 Horror (Laura Frost) Chapter 2. Let's Roll: Hollywood Takes on 9/11 (Elisabeth Ford) Chapter 3. Transforming Horror: David Cronenberg's Cinematic Gestures after 9/11 (Adam Lowenstein) Part Two. Horror Looks at Itself Chapter 4. Caught on Tape? The Politics of Video in the New Torture Film (Catherine Zimmer) Chapter 5. Cutting into Concepts of ""Reflectionist"" Cinema? The Saw Franchise and Puzzles of Post-9/11 Horror (Matt Hills) Chapter 6. The Host versus Cloverfield (Homay King) Chapter 7. ""Shop 'Til You Drop!"": Consumerism and Horror (Aviva Briefel) Part Three. Horror in Action Chapter 8. Historicizing the Bush Years: Politics, Horror Film, and Francis Lawrence's I Am Legend (Steffen Hantke) Chapter 9. ""I Am the Devil and I'm Here to Do the Devil's Work"": Rob Zombie, George W. Bush, and the Limits of American Freedom (Linnie Blake) Chapter 10. ""Forever Family"" Values: Twilight and the Modern Mormon Vampire (Travis Sutton and Harry M. Benshoff) Chapter 11. Assimilation and the Queer Monster (Sam J. Miller) Selected Bibliography Selected Filmography Contributors Index"

Reviews

Praise for H. W. Brands: Brands [is] on the path to becoming the preeminent popular historian of his generation... There is no denying [his] talent for clear, cogent, and uncluttered prose. Chicago Tribune Exuberant... Entertaining, lively... Brands [is] a wonderfully skilled narrative historian. Los Angeles Times

Just reading Horror after 9/11 evokes a rush of memories relating to the trauma, the terror, and embodied fear that was experienced that day, bringing into focus just how thoroughly filmmaking has been impacted by 9/11. By widening the scope of analysis beyond the immediate repercussions of terrorism and emphasizing the correlation of global events with cultural production, this book provides a welcome and necessary contribution to film and cultural studies. -- EMILY LAUREN PUTNAM Journal of the Fantastic in the Arts

Author Information

Aviva Briefel is Associate Professor of English at Bowdoin College. She is the author of The Deceivers: Art Forgery and Identity in the Nineteenth Century. Sam J. Miller is a writer, community organizer, and independent scholar. His work has been published in journals such as The Minnesota Review, Fiction International, Washington Square, Gargoyle, and The Rumpus.

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