Hong Kong Cinema Since 1997: The Post-Nostalgic Imagination

Author:   V. Lee
Publisher:   Palgrave Macmillan
ISBN:  

9780230221437


Pages:   254
Publication Date:   29 September 2009
Format:   Hardback
Availability:   In Print   Availability explained
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Hong Kong Cinema Since 1997: The Post-Nostalgic Imagination


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Overview

Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics - the 'post-nostalgic imagination' - in Hong Kong cinema in the first decade of Chinese rule.

Full Product Details

Author:   V. Lee
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.40cm , Length: 21.60cm
Weight:   0.485kg
ISBN:  

9780230221437


ISBN 10:   0230221432
Pages:   254
Publication Date:   29 September 2009
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction PART I: TIME AND MEMORY Post-Nostalgia: In the Mood for Love and 2046 Cinematic Remembrances: Ordinary Heroes and Little Cheung Allegory, Kinship, and Redemption: Fu Bo and Isabella PART II: SCHIZOPHRENIA, AMNESIA AND CINEPHILIA Lost in the Cosmopolitan Crime Zone: Johnnie To's Urban Legends The Kung Fu Hero in the Digital Age: Stephen Chow's 'Glocal' Strategies Karmic Redemption: Memory and Schizophrenia in Hong Kong Action Films PART III: IN AND OUT Migrants in a Strange City: (Dis-)locating the China Imaginary Outside the Nation: the Pan-Asian Trajectory of Applause Pictures The Hong Kong Multiplex: An Unfolding Narrative Notes Bibliography Index

Reviews

'An important contribution to a growing body of scholarly literature on contemporary Hong Kong cinema, and a valuable update on current trends and practices in Hong Kong film culture.' - Gina Marchetti, Department of Comparative Literature, University of Hong Kong 'Lee's book offers students of Hong Kong cinema a new and fascinating line of enquiry into the field.' - Dr Ming-Yeh T. Rawnsley, New Cinemas: Journal of Contemporary Film


'An important contribution to a growing body of scholarly literature on contemporary Hong Kong cinema, and a valuable update on current trends and practices in Hong Kong film culture.' - Gina Marchetti, Department of Comparative Literature, University of Hong Kong


'An important contribution to a growing body of scholarly literature on contemporary Hong Kong cinema, and a valuable update on current trends and practices in Hong Kong film culture.' - Gina Marchetti, Department of Comparative Literature, University of Hong Kong 'Lee's book offers students of Hong Kong cinema a new and fascinating line of enquiry into the field.' - Dr Ming-Yeh T. Rawnsley, New Cinemas: Journal of Contemporary Film


Author Information

VIVIAN P.Y.LEE teaches in the Department of Chinese, Translation and Linguistics at the City University of Hong Kong. Her publications on modern Chinese literature and Chinese cinemas have appeared in academic journals and anthologies including Modern Chinese Literature and Culture, Journal of Chinese Cinemas, Scope and Chinese Films in Focus II.

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