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OverviewThis collection of essays examines the various ways in which the Homeric epics have been responded to, reworked, and rewritten by women writers of the twentieth and early twenty-first centuries. Beginning in 1914 with the First World War, it charts this understudied strand of the history of Homeric reception over the subsequent century up to the present day, analysing the extraordinary responses both to the Odyssey and to the Iliad by women from around the world. The backgrounds of these authors and the genres they employ - memoir, poetry, children's literature, rap, novels - testify not only to the plasticity of Homeric epic, but also to the widening social classes to whom Homer appeals, and it is unsurprising to see the myriad ways in which women writers across the globe have played their part in the story of Homer's afterlife. From surrealism to successive waves of feminism to creative futures, Homer's footprint can be seen in a multitude of different literary and political movements, and the essays in this volume bring an array of critical approaches to bear on the work of authors ranging from H.D. and Simone Weil to Christa Wolf, Margaret Atwood, and Kate Tempest. Students and scholars of not only classics, but also translation studies, comparative literature, and women's writing will find much to interest them, while the volume's concluding reflections by Emily Wilson on her new translation of the Odyssey are an apt reminder to all of just how open a text can be, and of how great a difference can be made by a woman's voice. Full Product DetailsAuthor: Fiona Cox (Associate Professor of French and Comparative Literature, Associate Professor of French and Comparative Literature, University of Exeter) , Elena Theodorakopoulos (Senior Lecturer in Classics, Senior Lecturer in Classics, University of Birmingham)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 14.60cm , Height: 2.80cm , Length: 22.30cm Weight: 0.594kg ISBN: 9780198802587ISBN 10: 0198802587 Pages: 360 Publication Date: 10 October 2019 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsFrontmatter List of Figures List of Contributors 0: Fiona Cox and Elena Theodorakopoulos: Introduction 1: Genevieve Liveley: After his wine-dark sea': H.D. in Homer 2: Polly Stoker: Romantic Encounters with Homer in Elizabeth Cook's Achilles 3: Catherine Burke: Female Homers: A Feminist nostos? 4: Nancy Sorkin Rabinowitz: Christa Wolf's Cassandra: Different Times, Different Views 5: Carolin Hahnemann: Feminist at Second Glance? Alice Oswald's Memorial as a Response to Homer's Iliad 6: Emily Spiers: Kate Tempest: A 'Brand New Homer' for a Creative Future 7: Jasmine Richards: Rereading Penelope's Web: The Anxieties of Female Authorship in Margaret Atwood's The Penelopiad 8: Georgina Paul: Excavations in Homer: Speculative Archaeologies in Alice Oswald's and Barbara Köhler's Responses to the Iliad and the Odyssey 9: Elena Theodorakopoulos: Between Night and Day: Barbara Köhler's Lyric Odyssey 10: Isobel Hurst: Monologue and Dialogue: The Odyssey in Contemporary Women's Poetry 11: Sheila Murnaghan and Deborah H. Roberts: The Forecast is Hurricane: Circe's Powers and Circe's Desires in Modern Women's Poetry 12: Victoria Reuter: Iberian Sybil: Francisca Aguirre on Cavafy and the Journey out of Ithaca 13: Francesca Richards: Cut down to size': Female Voices and Adventure in Adèle Geras' Ithaka 14: Ruth MacDonald: Health isn't making everybody into a Greek ideal': Overcoming Abjection in Gwyneth Lewis's A Hospital Odyssey 15: Fiona Cox: Thinking through our mothers': Cixous and Homer beyond the Third Wave 16: Emily Wilson: Epilogue: Translating Homer as a Woman Endmatter Bibliography IndexReviewsHomer's Daughters initiates an important and long overdue conversation about women's receptions of Homer, and readers interested in specific authors will find much of value in individual chapters. * Carolyn MacDonald, Bryn Mawr Classical Review * Author InformationFiona Cox is Associate Professor of French and Comparative Literature at the University of Exeter. Her work focuses on the reception of classical literature, particularly in women's writing, and she has also published widely in the area of nineteenth-century French literature. Elena Theodorakopoulos grew up in Konstanz in Germany, and has been lecturing in Classics at the University of Birmingham for some years now. Her work focuses on Latin poetry and on the reception of classical literature in women's writing. Tab Content 6Author Website:Countries AvailableAll regions |
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