Overview

Homer and the Poetics of Hades offers a new and unique approach to the Iliad and, more particularly, the Odyssey through an exploration of the role and function of the Underworld as a poetic resource permitting an alternative perspective on the epic past. By portraying Hades as a realm where vision is not possible, Homer creates a unique poetic environment in which social constraints and divine prohibitions do not apply, resulting in a narrative which emulates that of the Muses but which at the same time is markedly distinct from it. In Hades experimentation with, and alteration of, important epic forms and values can be pursued with greater freedom, giving rise to a different kind of poetics: the 'poetics of Hades'. In the Iliad, Homer offers us a glimpse of how this alternative poetics works through the visit of Patroclus' shade in Achilles' dream. The recollection offered by the shade reveals an approach to its past in which regret, self-pity, and a lingering memory of intimate and emotional moments displace an objective tone and traditional exposition of heroic values. However, the potential of Hades for providing alternative means of commemorating the past is more fully explored in the 'Nekyia' of Odyssey 11: there, Odysseus' extraordinary ability to see the dead in Hades allows him to meet and interview the shades of heroines and heroes of the epic past, while the absolute confinement of Hades allows the shades to recount their stories from their own personal points of view. The poetic implications are significant, since by visiting Hades and listening to the stories of the shades Odysseus, and Homer with him, gain access to a tradition in which epic values associated with gender roles and even divine law are suspended in favour of a more immediate and personally inflected approach to the epic past. As readers, this alternative poetics offers us more than just a revised framework within which to navigate the Iliad and the Odyssey, inviting as it does a more nuanced understanding of the Greeks' anxieties around mortality and posthumous fame.

Full Product Details

Author:   George Alexander Gazis (Lecturer in Greek Literature, Lecturer in Greek Literature, Durham University)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 14.70cm , Height: 2.20cm , Length: 22.30cm
Weight:   0.466kg
ISBN:  

9780198787266

ISBN 10:   019878726
Pages:   272
Publication Date:   22 March 2018
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

0: Introduction 0.1: Homeric enargeia 0.2: Hades as a poetic resource Part 1: The Iliad 1: Hades in the Iliad 1.1: Introduction 1.2: Hades as a destination: the beginning of the Iliad and the end of the heroes 1.3: Hades and kleos 1.4: Hades the unknown, Hades the invisible 1.5: The Underworld realm 1.6: Conclusions 2: The Dream of Achilles 2.1: Dreaming of the dead 2.2: Speaking to the dead among the living 2.3: Raising the dead: nekyomanteia in the Iliad 2.4: Waiting for darkness 2.5: The dream scene 2.6: Memories of the dead 2.7: Conclusions Part 2: The Odyssey 3: The Odyssey and the 'Poetics of Hades' 3.1: Introduction 3.2: The limits of Olympian influence 3.3: Darkness and seclusion: Hades' place in the Odyssey 3.4: Odysseus as mediator, Odysseus as storyteller 4: The 'Nekyia' 4.1: Before the journey: departure from Circe's island 4.2: Beginning of the journey: the outskirts of Hades 4.3: At close quarters with the dead: Elpenor 4.4: At the crossroads of past and future: the meetings with Teiresias and Antikleia 4.4.1: Teiresias' prophecy: unrestrained truth 4.4.2: The meeting with Antikleia 4.4.3: Hearing from the dead about the living 5: The 'Catalogue of Heroines': Narrative Unbound 5.1: Introduction 5.2: The meeting with Tyro 5.3: Women with a voice: the other heroines 5.3.1: Female perspectives on the heroic past 5.3.2: The perspective of the mother: to forget or to remember 5.4: Conclusions 6: The 'Intermezzo' 6.1: Introduction 6.2: Breaking the spell 7: The 'Catalogue of Heroes' 7.1: Introduction 7.2: Remembering Troy - the meeting with Agamemnon 7.2.1: The death of Agamemnon: a view from below 7.2.2: The death of Agamemnon: a heroic perspective 7.2.3: From hero to 'powerless head': the end of the meeting 7.2.4: Conclusions 7.3: After heroism: the meeting with Achilles 7.3.1: Introduction 7.3.2: Survival versus kleos: the Odyssey meets the Iliad 7.3.3: Conclusions 7.4: The meeting with Ajax 7.4.1: When the dead remain silent 7.4.2: The story of the judgement: an Odyssean perspective 7.4.3: Odysseus' non-apology 7.4.4: Return to darkness: Ajax's perspective 7.4.5: Conclusions 7.5: Epilogue 8: Conclusions Endmatter Bibliography Index

Reviews

the book is very accessible: though Gazis tackles specialist subjects, he situates them clearly within a debate, and though there is a lot of Greek in the book there are translations provided * Lilah Grace Canevaro, Classics for All *

Author Information

Originally from Cephalonia, a stone's throw from modern day Ithaca, George Alexander Gazis was raised in Athens and studied for his BA in Classics and Ancient History and his MA in Homeric Studies at the National University. After his National Service he was awarded the State Scholarship and moved to the UK, where he completed his PhD in Archaic Greek Epic at Durham University in 2015. He has since remained at Durham, first as a Teaching Fellow and currently as a Lecturer in Greek Literature.

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