Overview

"This text addresses the relation between ethics and art in the context of contemporary discussions of the Holocaust. Are certain aesthetic means or genres ""out of bounds"" for the Holocaust? To what extent should artists be constrained by the ""actuality"" of history - and is the Holocaust unique in raising these problems of representation? The dynamics between artistic form and content generally hold even more intensely, Berel Lang argues, when art's subject has the moral weight of an event like the Holocaust. As authors reach beyond the standard conventions for more adequate means of representation, Holocaust writings frequently display a blurring of genres. The same impulse manifests itself in repeated claims of ""historical"" as well as artistic authenticity. Informing Lang's discussion are the recent conflicts about the truth-status of Benjamin Wilkomirski's ""memoir"", ""Fragments"" and the comic fantasy of Roberto Benigni's film ""Life is Beautiful"". Lang views Holocaust representation as limited by a combination of ethical and historical constraints. As art that violates such constraints often lapses into sentimentality or melodrama, cliche or kitsch, this becomes all the more objectionable when its subject is moral enormity. At an extreme, all Holocaust representation must face the test of whether its referent would not be more authentically expressed by silence - that is, by the absence of representation."

Full Product Details

Author:   Berel Lang (Trinity College)
Publisher:   Johns Hopkins University Press
Imprint:   Johns Hopkins University Press
Dimensions:   Width: 14.00cm , Height: 1.70cm , Length: 21.60cm
Weight:   0.340kg
ISBN:  

9780801864155

ISBN 10:   0801864151
Pages:   192
Publication Date:   16 November 2000
Recommended Age:   From 17
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock  
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Table of Contents

Preface and Acknowledgments Introduction: Art Within The Limits Part I: Image and Fact: The Problem of Holocaust Representation Chapter 1. Writing the Holocaust: Toward the Condition of History Chapter 2. Holocaust Texts and the Blurred Genres Chapter 3. The Limits of Representation and the Representation of Limits Chapter 4. The Facts of Fiction: Three Case Studies in Holocaust Writing Chapter 5. The Importance of Holocaust Misrepresentation Part II: Eye and Mind: Reflecting the Holocaust Chapter 6. The Arts of History Chapter 7. Translating the Holocaust: For Whom Does One Write? Chapter 8. The Post-Holocaust vs. the Postmodern: Evil Inside and Outside History Chapter 9. Art Worship and Its Images Index

Reviews

<p>Holocaust Representation tackles the thorny subject of ethics and art as they bear on works commemorating or referring to the Holocaust.--James Malpas Art Newspaper

<p> Holocaust Representation tackles the thorny subject of ethics and art as they bear on works commemorating or referring to the Holocaust. -- James Malpas, Art Newspaper

Holocaust Representation tackles the thorny subject of ethics and art as they bear on works commemorating or referring to the Holocaust. -- James Malpas * Art Newspaper *

Author Information

Berel Lang is a professor of humanities at Trinity College. His many books include Writing and the Moral Self, Mind's Bodies: Thought in the Act, Heidegger's Silence, and Act and Idea in the Nazi Genocide.

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