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OverviewThe High School outsider takes off her glasses, puts on a dress, and becomes the Prom Queen; the dowdy woman has her hair done, buys some chic new clothes and starts to attract the men. Cinderella and Pygmalion stories still provide inspiration for the plots of Hollywood romantic comedies, dramas, and even action films. Their perennial use prompts a series of questions: is, for example, male agency necessary to effect the transformation, or can the woman change herself? Can she ever change him? Most pressingly, what do these images of change and transformation, of improvement and transcendence tell us, the viewers, about what we should be doing? Investigating these questions, this book examines a key but frequently overlooked aspect of film style: the costume. Across all the films discussed, costume and the body it covers becomes the crucial element in the transformation scene, exemplifying the 'before' and 'after' of the successful change. Exploring the fantasies of transcendence and transformation sold through these films and exemplified in the costumes, this book examines ""Calamity Jane"", ""Midnight Cowboy"", ""Clueless"", ""The Long Kiss Goodnight"", ""The Devil Wears Prada"", and many other examples from both classic and contemporary Hollywood. Full Product DetailsAuthor: Tamar Jeffers McDonald (University of Kent, UK)Publisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris Volume: v. 12 Dimensions: Width: 15.60cm , Height: 2.00cm , Length: 23.40cm Weight: 0.340kg ISBN: 9781848850408ISBN 10: 1848850409 Pages: 256 Publication Date: 30 June 2010 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsTable of Contents: Introduction Chapter One: Costume and film - reviewing the literature Chaper Two: Transformation - outlining the topic and its tropes Chapter Three: The Bride Wore Red (1937) Chapter Four: Phantom Lady (1944) Chapter Five: Calamity Jane (1953) Chapter Six: Mahogany (1975) Chapter Seven: The Devil Wears Prada (2006) Chapter Eight: Male transformation movies Conclusion References Bibliography Filmography IndexReviews'The book is entertaining and accessible while remainingentirely meticulous in its scholarship - a feat asimpressive as the sartorial magic woven around its stars. It will be a seminal text for all scholars and students working within the areas of film and fashion while its lively and enjoyable style, and the Cinderella story itself, will surely attract a wider readership.' - Pamela Church Gibson, Reader in Cultural and Historical Studies, London College of Fashion, University of the Arts London Author InformationTamar Jeffers McDonald is a Lecturer in Film Studies, University of Kent, and author of 'Romantic Comedy: Boy Meets Girl Meets Genre' (2007) and is currently writing a book on Doris Day. Tab Content 6Author Website:Countries AvailableAll regions |
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