Hitchcock's Magic

Author:   Neil Badmington
Publisher:   University of Wales Press
ISBN:  

9780708323700


Pages:   224
Publication Date:   01 April 2011
Format:   Hardback
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

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Hitchcock's Magic


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Overview

Decades after Alfred Hitchcock’s death, his work continues to draw passionate responses and critical acclaim. With Hitchcock’s Magic, Neil Badmington takes a new look at Hitchcock’s body of work to try to figure out just what it is that makes them so lasting—and why their influence has been so pervasive. Featuring detailed analyses of a number of Hitchcock’s most successful films, including Psycho, Rear Window, and The Birds, and drawing on the insights of poststructuralist theory, Hitchcock’s Magic is an innovative contribution to the never-ending discussion of the master of suspense.

Full Product Details

Author:   Neil Badmington
Publisher:   University of Wales Press
Imprint:   University of Wales Press
Dimensions:   Width: 13.80cm , Height: 2.30cm , Length: 21.60cm
Weight:   0.408kg
ISBN:  

9780708323700


ISBN 10:   0708323707
Pages:   224
Publication Date:   01 April 2011
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Out of Stock Indefinitely
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

Table of Contents

Introduction - Hitchcock's Magic; or, How I Starred in Saboteur Chapter 1 - Ps/zycho Chapter 2 - Frame Tale: Rear Window and the Promise of Vision Chapter 3 - SpectRebecca Chapter 4 - Stories of 'O': North by Northwest and The Man Who Knew Too Much Chapter 5 - The Animals Who Knew Too Much: The Zoopoetics of The Birds Postscript: Into the Mystery Appendix: The films of Alfred Hitchcock

Reviews

If you're wondering whether the world needs another book on Hitchcock's films, the answer is a resounding yes. Hitchcock's Magic is a lively and engaging return to Hitchcock's corpus. Through detailed readings of both major and minor films, Badmington demonstrates a playful ability to re-enchant them for us as objects of continuing fascination. His rejection of psychoanalysis and creative re-engagement with the work of Barthes and Derrida helps to open these texts to new and sometimes surprising interpretations that send us back to the films themselves with renewed admiration for their magic touch. --Nick Haeffner, London Metropolitan University<br><br>


""If you're wondering whether the world needs another book on Hitchcock's films, the answer is a resounding yes. Hitchcock's Magic is a lively and always engaging return to Hitchcock's corpus. Through detailed readings of both major and minor films, Badmington demonstrates a playful ability to re-enchant them for us as objects of continuing fascination. His rejection of psychoanalysis and creative re-engagement with the work of Barthes and Derrida helps to open these texts to new and sometimes surprising interpretations that send us back to the films themselves with renewed admiration for their magic touch."" Nick Haeffner, Senior Lecturer in Media Arts, London Metropolitan University


If you're wondering whether the world needs another book on Hitchcock's films, the answer is a resounding yes. Hitchcock's Magic is a lively and always engaging return to Hitchcock's corpus. Through detailed readings of both major and minor films, Badmington demonstrates a playful ability to re-enchant them for us as objects of continuing fascination. His rejection of psychoanalysis and creative re-engagement with the work of Barthes and Derrida helps to open these texts to new and sometimes surprising interpretations that send us back to the films themselves with renewed admiration for their magic touch. Nick Haeffner, Senior Lecturer in Media Arts, London Metropolitan University


Author Information

Neil Badmington is Reader in English Literature at Cardiff University.

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