Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer

Author:   Jennifer Bain (Dalhousie University, Nova Scotia)
Publisher:   Cambridge University Press
ISBN:  

9781107433878


Pages:   249
Publication Date:   14 December 2017
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer


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Author:   Jennifer Bain (Dalhousie University, Nova Scotia)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 17.00cm , Height: 1.30cm , Length: 24.40cm
Weight:   0.405kg
ISBN:  

9781107433878


ISBN 10:   1107433878
Pages:   249
Publication Date:   14 December 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'This volume is especially relevant for medievalists and musicologists and would make an excellent inclusion in academic libraries. In addition to being an admirable resource for Hildegard scholars, this book is also helpful for those concerned with the history of church music, chant revival in the nineteenth century, and the work of Ludwig Schneider, a worthy scholar and a selfless man.' John MacInnis, Notes


Author Information

Jennifer Bain is Associate Professor of Music at the Fountain School of Performing Arts at Dalhousie University, Nova Scotia. Her articles have appeared in book collections, in The New Catholic Encyclopedia, and in music journals such as the Journal of Music Theory, Music Theory Spectrum, the Journal of Musicological Research, and Studi musicali. She edited a special early music issue of the Journal of Music Theory, and with French literature scholar, Deborah McGrady, co-edited A Companion to Guillaume de Machaut (2012). The inaugural recipient of the Sarah Jane Williams Award from the International Machaut Society, she has received publication grants from both the Society for Music Theory and the American Musicological Society, as well as research grants from the Social Sciences and Humanities Research Council of Canada.

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