Overview

The act of remaking one's history into a heritage, a conscientiously crafted narrative placed over the past, is a thriving industry in almost every postcolonial culture. This is surprising, given the tainted role of heritage in so much of colonialism's history. Yet the postcolonial state, like its European predecessor of the eighteenth and nineteenth centuries, deploys heritage institutions and instruments, museums, courts of law, and universities to empower itself with unity, longevity, exaltation of value, origin, and destiny. Bringing the eye of a philosopher, the pen of an essayist, and the experience of a public intellectual to the study of heritage, Daniel Herwitz reveals the febrile pitch at which heritage is staked. In this absorbing book, he travels to South Africa and unpacks its controversial and robust confrontations with the colonial and apartheid past. He visits India and reads in its modern art the gesture of a newly minted heritage idealizing the precolonial world as the source of Indian modernity. He traverses the United States and finds in its heritage of incessant invention, small town exceptionalism, and settler destiny a key to contemporary American media-driven politics. Showing how destabilizing, ambivalent, and potentially dangerous heritage is as a producer of contemporary social, aesthetic, and political realities, Herwitz captures its perfect embodiment of the struggle to seize culture and society at moments of profound social change.

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Reviews

This book is a bold, sweeping and imaginative argument on the centrality of 'heritage games' in the contemporary world... Each essay is brimming with insights, interesting facts and observations making them highly readable in their own right, or together. -- Thomas Blom Hansen, Stanford University A work of ebullient imagination, zest, and wit, this book explores the double life of heritage in the making of modern political identities -- as both the fixed capital of national hegemony, and the fluid currency of novel visions and claims. It may evoke an aura of timeless homage, but heritage is also a riff in real time. In this acute exploration of its recent, postcolonial iterations, Herwitz shows that while its role remains much the same, its substance is constantly, ingeniously changing. -- Jean Comaroff, Harvard University Daniel Herwitz's book is a philosophical and literary analysis of cases of national heritage in transition that might have been stimulated by Joseph O'Neill's Netherland and J. M. Coetzee's Disgrace. Covering the same three continents featured in those novels -- India, South Africa, and the U.S., Heritage, Culture, and Politics in the Postcolony offers personalized stories of nations enduring dramatic shifts in their heritages. The result is an important work in aesthetics, for the fate of aesthetics since the 18th century is remarkably similar to that of heritage. Both transmit tradition, yet they're also expected to usher in modernity, which signals a break from tradition. So long as these rivalrous demands cannot be reconciled, heritage and aesthetics remain objects of anxiety. In addition, they're inseparable from the histories of colonialism, nationalism, and capitalism, yet they're expected to offer political critiques of them. In the end, all these demands are analyzed by Herwitz in an engaging and eloquent fashion. -- Michael Kelly, Department of Philosophy, University of North Carolina at Charlotte

This book is a bold, sweeping and imaginative argument on the centrality of 'heritage games' in the contemporary world... Each essay is brimming with insights, interesting facts and observations making them highly readable in their own right, or together. -- Thomas Blom Hansen, Stanford University

This book is a bold, sweeping and imaginative argument on the centrality of 'heritage games' in the contemporary world... Each essay is brimming with insights, interesting facts and observations making them highly readable in their own right, or together. -- Thomas Blom Hansen, Stanford University A work of ebullient imagination, zest, and wit, Heritage, Culture, and Politics in the Postcolony explores the double life of heritage in the making of modern political identities--as both the fixed capital of national hegemony and the fluid currency of novel visions and claims. The book may evoke an aura of timeless homage, but heritage is also a riff in real time. In this acute exploration of its recent, postcolonial iterations, Daniel Herwitz shows that while its role remains much the same, its substance is constantly, ingeniously changing. -- Jean Comaroff, Harvard University Herwitz's book is an important work in aesthetics, for the fate of aesthetics since the eighteenth century is remarkably similar to that of heritage. Both transmit tradition, yet they're also expected to usher in modernity, which signals a break from tradition. So long as these rivalrous demands cannot be reconciled, heritage and aesthetics remain objects of anxiety. In addition, they're inseparable from the histories of colonialism, nationalism, and capitalism, yet they're expected to offer political critiques of them. In the end, all these demands are analyzed by Herwitz in an engaging and eloquent fashion. -- Michael Kelly, author of A Hunger for Aesthetics: Enacting the Demands of Art Thoughtfully crafted and elegantly written, this book is pleasant reading for everyone interested in learning about the status of cultural studies around the world... Recommended. Choice 3/1/13

This book is a bold, sweeping and imaginative argument on the centrality of 'heritage games' in the contemporary world... Each essay is brimming with insights, interesting facts and observations making them highly readable in their own right, or together. -- Thomas Blom Hansen, Stanford University A work of ebullient imagination, zest, and wit, Heritage, Culture, and Politics in the Postcolony explores the double life of heritage in the making of modern political identities -- as both the fixed capital of national hegemony and the fluid currency of novel visions and claims. The book may evoke an aura of timeless homage, but heritage is also a riff in real time. In this acute exploration of its recent, postcolonial iterations, Daniel Herwitz shows that while its role remains much the same, its substance is constantly, ingeniously changing. -- Jean Comaroff, Harvard University Herwitz's book is an important work in aesthetics, for the fate of aesthetics since the eighteenth century is remarkably similar to that of heritage. Both transmit tradition, yet they're also expected to usher in modernity, which signals a break from tradition. So long as these rivalrous demands cannot be reconciled, heritage and aesthetics remain objects of anxiety. In addition, they're inseparable from the histories of colonialism, nationalism, and capitalism, yet they're expected to offer political critiques of them. In the end, all these demands are analyzed by Herwitz in an engaging and eloquent fashion. -- Michael Kelly, author of A Hunger for Aesthetics: Enacting the Demands of Art Thoughtfully crafted and elegantly written, this book is pleasant reading for everyone interested in learning about the status of cultural studies around the world... Recommended. Choice 3/1/13

Author Information

Daniel Herwitz directs the Institute for the Humanities at the University of Michigan and holds an honorary position at the University of Cape Town. His most recent book is The Star as Icon: Celebrity in the Age of Mass Consumption, which was named a Choice Outstanding Academic Title. He is also the author, with Lydia Goehr, of The Don Giovanni Moment: Essays on the Legacy of an Opera and the editor, with Michael Kelly, of Action, Art, History: Engagements with Arthur C. Danto. From 1996 to 2002, Herwitz served as chair in philosophy at the University of Natal, Durban, and was embroiled in the South African political transition, which led to his book Race and Reconciliation: Essays from the New South Africa. Long involved with modern Indian art, his 1987 book, Husain, won the country's National Book Award.

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