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OverviewWhat is the role of art in modern society? To what extent are the beautiful and the morally good intertwined? Hegel's Political Aesthetics explores Hegel’s take on these ever-relevant philosophical questions and investigates three key themes: art’s contribution to modern ethical life, the loss of art’s authority in modern ethical life and ways of thinking beyond Hegel’s analysis of art’s role in society. The aesthetic is explored through the lens of German Idealism from Kant to Hegel, ultimately placing ethics and morality at the forefront of this debate. The authors explore Hegel’s take on Kant’s conception by historicizing what it means to be responsible to others, which for Hegel means being free within the norms of society, within what he calls ethical life. As a set of concrete social arrangements designed for finite human beings, however, ethical life falls short of actualizing freedom absolutely. The themes in this volume are motivated by a central ambivalence in Hegel’s thinking about modernity. The question of freedom sits at the forefront of this text, alongside the relation between art and the spirit. This book will be of particular interest to philosophers of aesthetics, politics and ethics. Full Product DetailsAuthor: Stefan Bird-Pollan (University of Kentucky, USA) , Vladimir Marchenkov (Ohio University, USA)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Weight: 0.349kg ISBN: 9781350279179ISBN 10: 135027917 Pages: 248 Publication Date: 21 October 2021 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents"Introduction by the editors, Stefan Bird-Pollan and Vladimir Marchenkov Part I: Art’s Conribution to Modern Ethical Life Chapter 1: Philip T. Grier, “On Art and Community: Intersections of Hegel’s Aesthetics and Philosophy of Religion” Chapter 2: Mark Aznauer, “Hegel on Aesthetic Reconciliation” Chapter 3: Timothy L. Brownlee, ""Bildung and the Novel in Hegel’s Lectures on Aesthetics"" Chapter 4: David Ciavatta, “Beauty as Freedom” Part II: The End of Art and the Loss of Art’s Authority Chapter 5: John Russon: “Romantic Art and Modernity” Chapter 6: Shannon Hoff: “At Home and Homeless in the Human World: Art and Freedom in Hegel’s Aesthetics” Chapter 7: Olga Lyanda-Geller, “Hegel’s Symbol and Symbolic Art: Revisiting Ambiguity?” Part III: Ways of Thinking Beyond Hegel’s Analysis of Art’s Role in Society Chapter 8: Kathleen Eamon, “Super/Sensible Remains in Art and Politics: Hegel and Jacob Lawrence's The Migration Series.” Chapter 9: Vladimir Marchenkov, “The Dialectic of Morality and Art in Hegel’s Aesthetics” Chapter 10: Stefan Bird-Pollan, “Overcoming the End of Art Thesis; the Case for Film” Chapter 11: Georg Bertram, “Hegel’s Conception of Modern Art – A Re-actualization”"ReviewsDedicated to exploring art in modern Western society, this excellent volume does indeed both instruct and delight: it instructs with lucid accounts of Hegel's work on art and will surely delight those seeking a deeper understanding of Hegel's aesthetic and its enduring relevance. --CHOICE This book ranges widely among Hegel's historical, theoretical, and political pronouncements about art, uniting them beautifully under the innovative theme of political aesthetics. The essays are invigorating and fresh, showing how much Hegel's synthetic approach to art can illuminate chronic dilemmas about art and its place in our political and moral lives. A wonderful contribution to new scholarship on Hegel's philosophy of art. --Lydia Moland, Associate Professor of Philosophy, Colby College, USA Modern culture continues to be riven by the question of the meaning of the arts: are the arts bound by the demands of morality and the urgencies of political strife; or are the arts somehow autonomous, somehow posed in an aesthetic space with its own inner logic, historical trajectory, and normative demands? In this splendid and always engaging collection of essays, each of the authors critically reflects on Hegel's effort to demonstrate the always extra-aesthetic significance of the arts that are nonetheless possessed of a defining aesthetic meaning as sensuous particulars. The very best of these uniformly excellent essays are incisive additions to both our understanding of Hegel and contemporary cultural debates. Belongs on the shelf of every student of Hegel. --J. M. Bernstein, University Distinguished Professor of Philosophy, The New School for Social Research, USA Dedicated to exploring art in modern Western society, this excellent volume does indeed both instruct and delight: it instructs with lucid accounts of Hegel's work on art and will surely delight those seeking a deeper understanding of Hegel's aesthetic and its enduring relevance. * CHOICE * This book ranges widely among Hegel's historical, theoretical, and political pronouncements about art, uniting them beautifully under the innovative theme of political aesthetics. The essays are invigorating and fresh, showing how much Hegel's synthetic approach to art can illuminate chronic dilemmas about art and its place in our political and moral lives. A wonderful contribution to new scholarship on Hegel's philosophy of art. * Lydia Moland, Associate Professor of Philosophy, Colby College, USA * Modern culture continues to be riven by the question of the meaning of the arts: are the arts bound by the demands of morality and the urgencies of political strife; or are the arts somehow autonomous, somehow posed in an aesthetic space with its own inner logic, historical trajectory, and normative demands? In this splendid and always engaging collection of essays, each of the authors critically reflects on Hegel's effort to demonstrate the always extra-aesthetic significance of the arts that are nonetheless possessed of a defining aesthetic meaning as sensuous particulars. The very best of these uniformly excellent essays are incisive additions to both our understanding of Hegel and contemporary cultural debates. Belongs on the shelf of every student of Hegel. * J. M. Bernstein, University Distinguished Professor of Philosophy, The New School for Social Research, USA * Author InformationStefan Bird-Pollan is Associate Professor in Philosophy, Social Theory and International Film Studies, University of Kentucky, USA Vladimir Marchenkov is Professor of Aesthetics and Theory, Ohio University, USA Tab Content 6Author Website:Countries AvailableAll regions |
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