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OverviewMichael Haneke's films subject us to extreme experiences of disturbance, desperation, grief, and violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and charged with aggressive dialogue. The sound tracks are even more traumatic to hear than his stories are to see, but they also offer us the transformative possibilities of reawakened sonic awareness. Haneke's use of sound redefines cinema in ways that can help us re-hear everything-including our own voices, and everything around us-better.Though Haneke's films make exceptional demands on us, he is among the most celebrated of living auteurs: he is two-time receipt of the Palme D'Or at Cannes Film Festival (for The White Ribbon (2009) and Amour (2012)), and Academy Award winner of Best Foreign Language Film (for Amour), along with numerous other awards. The radical confrontationality of his cinema makes him an internationally controversial, as well as revered, subject. Hearing Haneke is the first book-length study of the sound tracks that define this living legacy.This book explores the haunting, subversive, and political significance of all aural elements through Haneke's major feature films (dialogue, sound effects, silences, and music), all of which are meticulously conducted by him. Many critics read Haneke as coolly dispassionate about showing scenes of humanity under threat, but Hearing Haneke argues that all facets of his sound tracks stress humane understanding and the importance of compassion. This book provides exceptionally detailed analyses of all Haneke's most celebrated films: including The Seventh Continent, Funny Games, Code Unknown, The Piano Teacher, Caché, The White Ribbon, and Amour. The writing brings together film theory, musicology, history, and cultural studies in ways that resonate broadly. Hearing Haneke will matter to anyone who cares about the power of art to inspire progressive change. Full Product DetailsAuthor: Elsie Walker (Associate Professor of English, Associate Professor of English, Salisbury University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.10cm , Height: 1.50cm , Length: 15.50cm Weight: 0.544kg ISBN: 9780190495916ISBN 10: 019049591 Pages: 232 Publication Date: 08 February 2018 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents"Prelude: Why does hearing Haneke's films matter? 1. Introduction: Hearing Haneke through the critical ruckus 2. The Seventh Continent: the noises of consumerism, the music of something more 3. Funny Games: amplifying violence, the violators, and the victims 4. Code Unknown: sonically representing social divisions, diversity, and hope 5. The Piano Teacher: musical beauty without transcendence 6. Caché: the postcolonial resonance of silences and saying ""nothing"" 7. The White Ribbon: hearing Symbolic oppression and the Real in rebellion 8. Amour: the screams of life answered with love Works Cited Index"ReviewsHearing Haneke is a call to hear and listen anew, to re-hear the cinematic world and our place within it. Walker places the sound track at the heart of Hanekes oeuvre, and the humanity unveiled through the listening act offers a critical challenge to the visual bias that still prevails in much of film studies. In each chapter, Walker poses questions of the sound track and for the reader. Walkers book is as compelling as it is (com)passionate about the representative sounds in Hanekes films, making Hearing Haneke essential reading. * Liz Greene, Senior Lecturer in Filmmaking, Liverpool John Moores University * Author InformationElsie Walker is Associate Professor of Film Studies at Salisbury University and author of Understanding Sound Tracks through Film Theory (OUP, 2015). Tab Content 6Author Website:Countries AvailableAll regions |
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