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OverviewMichael Haneke's films subject us to extreme experiences of disturbance, desperation, grief, and violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and charged with aggressive dialogue. The sound tracks are even more traumatic to hear than his stories are to see, but they also offer us the transformative possibilities of reawakened sonic awareness. Haneke's use of sound redefines cinema in ways that can help us re-hear everything-including our own voices, and everything around us-better. Though Haneke's films make exceptional demands on us, he is among the most celebrated of living auteurs: he is two-time receipt of the Palme D'Or at Cannes Film Festival (for The White Ribbon (2009) and Amour (2012)), and Academy Award winner of Best Foreign Language Film (for Amour), along with numerous other awards. The radical confrontationality of his cinema makes him an internationally controversial, as well as revered, subject. Hearing Haneke is the first book-length study of the sound tracks that define this living legacy. This book explores the haunting, subversive, and political significance of all aural elements through Haneke's major feature films (dialogue, sound effects, silences, and music), all of which are meticulously conducted by him. Many critics read Haneke as coolly dispassionate about showing scenes of humanity under threat, but Hearing Haneke argues that all facets of his sound tracks stress humane understanding and the importance of compassion. This book provides exceptionally detailed analyses of all Haneke's most celebrated films: including The Seventh Continent, Funny Games, Code Unknown, The Piano Teacher, Cach�, The White Ribbon, and Amour. The writing brings together film theory, musicology, history, and cultural studies in ways that resonate broadly. Hearing Haneke will matter to anyone who cares about the power of art to inspire progressive change. Full Product DetailsAuthor: Associate Professor of English Elsie Walker (Salisbury University)Publisher: Oxford University Press, USA Imprint: Oxford University Press, USA ISBN: 9780190495947ISBN 10: 0190495944 Publication Date: 18 January 2018 Audience: General/trade , General Format: Undefined Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"""Hearing Haneke is a call to hear and listen anew, to re-hear the cinematic world and our place within it. Walker places the sound track at the heart of Haneke's oeuvre, and the humanity unveiled through the listening act offers a critical challenge to the visual bias that still prevails in much of film studies. In each chapter, Walker poses questions of the sound track and for the reader. Walker's book is as compelling as it is (com)passionate about the representative sounds in Haneke's films, making Hearing Haneke essential reading.""-Liz Greene, Senior Lecturer in Filmmaking, Liverpool John Moores University" Hearing Haneke is a call to hear and listen anew, to re-hear the cinematic world and our place within it. Walker places the sound track at the heart of Haneke's oeuvre, and the humanity unveiled through the listening act offers a critical challenge to the visual bias that still prevails in much of film studies. In each chapter, Walker poses questions of the sound track and for the reader. Walker's book is as compelling as it is (com)passionate about the representative sounds in Haneke's films, making Hearing Haneke essential reading. -Liz Greene, Senior Lecturer in Filmmaking, Liverpool John Moores University Author InformationElsie Walker is Associate Professor of Film Studies at Salisbury University and author of Understanding Sound Tracks through Film Theory (OUP, 2015). Tab Content 6Author Website:Countries AvailableAll regions |
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