Overview

"Samosir and Wee examine how the immensely popular Korean Wave (""K-wave"") also known as Hallyu is wielded as soft power through the use of communication for persuasion and attraction on the global stage. The Korean Wave refers to the global spread and popularity of South Korean culture, particularly its pop music (""K-pop""), serialised dramas (""K-dramas"") and films (""K-films""). Given the South Korean government’s involvement in providing funding and publicity, the Korean Wave raises interesting sociolinguistic questions about the relationship between artistry and citizenship, the use of social media in facilitating the consumption of cultural products, and, ultimately, the nature of soft power itself. Studies of soft power have tended to come from the field of international relations. This book shows that sociolinguistics actually has a number of tools in its conceptual arsenal – such as indexicality, stance taking, affect, and styling – that can shed light on the Korean Wave as a form of soft power. As the first book-length sociolinguistic analysis of the Korean Wave and soft power, this book demonstrates how K-pop, K-dramas, and K-films have been able to encourage in consumers an anthropological stance towards all things Korean. This volume will be of particular interest to students and scholars in sociolinguistics, political science, cultural studies, and Korean studies. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license."

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9781032460475

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Reviews

"""Samosir and Wee deploy a sophisticated battery of sociolinguistic tools to delicately dissect key factors behind the world-wide popularity of Hallyu, showing what lends K-wave its unprecedented success as soft power, distinct from hard power, is stern independence of the creative industries from state agendas; a lavish no-strings attached state infrastructural support; and an ambition by all to see the K-wave wash well beyond local shores in the swell of a good story. An indispensable book for understanding the success story that is Hallyu, it is also testament to the indispensability of sociolinguistics in grasping the global world in which we live."" Christopher Stroud, Emeritus Professor of Linguistics, University of the Western Cape, South Africa. Professor of Transnational Multilingualism, Stockholm University, Sweden."

Author Information

Nora Samosir is a professional theatre practitioner, having acted in more than 100 stage productions and also in films. Since 2018, she has been part of the duo Wandering Women with Bharatanatyam dancer Dr Nidya Shanthini Manokara creating stage performances as part of their practice-as-research project based on the lives of Draupadi and Mary Magdalene. Her other research strand, combining her undergraduate training in linguistics with her postgraduate interest in the performance of popular culture, is in Hallyu – Korean pop music, serialised dramas and films. Currently at LASALLE College of the Arts, Singapore, she teaches Voice in the BA Acting and BA Musical Theatre programmes of the School of Dance and Theatre. Lionel Wee is a Provost’s Chair Professor and linguist in the Department of English, Linguistics and Theatre Studies, National University of Singapore. He is interested in language policy (especially in Southeast Asia), the grammar of Singapore English, metaphorical discourse, and general issues in sociolinguistics and pragmatics. He sits on the editorial boards of the Journal of Sociolinguistics, Applied Linguistics, International Journal of the Sociology of Language, Elements: World Englishes and Advances in World Englishes, among others. His recent books include Language, Space and Cultural Play: Theorizing Affect in the Semiotic Landscape (with Robbie Goh), and The Singlish Controversy: Language, Identity and Culture in a Globalizing World.

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