Overview

After Urban Creativity Lisbon activities (5,6 and 7 of July 2018) here is presented the 4th Volume of SAUC Journal, reaching other audiences and building an ongoing trajectory of recognition aimed to the highest standards, not only academic and or institutional, but above all production and practice-oriented. The 2018 activities thematic about time aimed the objective of problematizing the chronological constraints of street art, graffiti, and urban creativity in general. Reinforcing the idea of the atemporal, potentially interpreted as something indissociable of human nature, linking 30000 old archeological findings with today. This issue 1, Changing times: Tactics gathers contributes about the Displacement of the Street Art Aesthetic (OSGEMEOS in the white cube), looking at a City-wide Art Gallery or The Pixed City the Body-Landscape, Aesthetics of Change with Multiculturalism. Also Sustainable Graffiti Management Solutions for Public Areas and street art and Copyright hard areas of approach. And more soft approaches (based on human sciences) on and Against Street Signs: On Art Made out of Street Signs, Work and play, in Line or within Graffiti-Writing traditions and Street Art innovations. Visioning with the posturban paradigm and where street art and graffiti are not (going to be), the evolution of Halls of Fame, and as a statement: No Tags. No Masterpieces, but also the duality of Image versus writing: from post-graffiti and murals' assault to graffiti's scriptural riposte. Also Graffiti as a catalyst of individual creativity and more broad contents about Documenting graffiti culture. All brave Paths also documenting Graffiti on trains, photography and Subterr neos.With contributions from Germany, Iran, Brazil, Australia, UK, Spain, Italy, Ukraine, Austria, Portugal, and France.

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9781793262547

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