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OverviewGlobal Storytelling: Journal of Digital and Moving Images serves as an international and interdisciplinary forum for intellectual debates concerning the politics, economics, culture, media, and technology of the moving image. This special issue (Vol 4.1) tackles the topic of The Global Social Mediascape of Feminism and Misogyny. Full Product DetailsAuthor: Hong Zeng , Dorothy LauPublisher: Michigan Publishing Services Imprint: Michigan Publishing Services Weight: 0.454kg ISBN: 9781607858997ISBN 10: 1607858991 Pages: 272 Publication Date: 04 April 2025 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsGlobal Storytelling, Vol. 4, No. 1: The Global Social Mediascape of Feminism and Misogyny Special Issue Editor: Hong Zeng The Global Social Mediascape of Feminism and Misogyny Hong Zeng Perspective Piece Evolving Notions of Consumption, “Influencing,” and Postfeminist Femininity in Digital Cultures: A Perspective Piece Frankie Rogan Research Articles Seamful Sutures: Gender Exploration and Identity Expression Using Augmented Reality Facial Filters Stefania Marghitu and Jennifer O’Meara A Girlfriend Gaze on Romantic Feelings: Coconstructing Postfeminist Selfhood on Douban Jiayi Chen and Altman Yuzhu Peng From Digital Satire to Feminist Counterpublic Discourse: A Study of Participatory Mashups in China During the COVID-19 Pandemic Fan Xiao and Yue Huang Digital Advocacy Journalism’s Push for the Narrative Tipping Point of Singapore’s Capital Punishment Liew Kai Khiun and Kirsten Han Women Politicians, Social Movements, and Misogyny in Democratic Struggles Sara Liao Aspiring and Deprecating Female Influencers: Communicative Capitalism and the Positioning of Women Entrepreneurs HaeLim Suh Book Reviews Social Media and New Femininities A Review of Digital Femininities: The Gendered Construction of Cultural and Political Identities Online by Frankie Rogan, London: Routledge, 2022 Olivia Stowell Defining the Sound of Femininity A Review of Women’s Voices in Digital Media: The Sonic Screen from Film to Memes by Jennifer O’Meara, Austin: University of Texas Press, 2022 Emma Conatser Rektenwald The Way Digital Technologies Allow Networked Feminist Activism to Develop A Review of Networked Feminism: How Digital Media Makers Transform Gender Justice Movements by Rosemary Clark-Parsons, Berkeley: University of California Press, 2022 Kristen LeerReviewsAuthor InformationHong Zeng is a cultural studies scholar whose research centers on the dynamics of gender and spatial politics within visual cultural production. Her work critically examines how ideologies operate and the various forms of resistance they generate in creative industries. She is currently assistant professor of the Academy of Film at Hong Kong Baptist University. She has published articles in the European Journal of Cultural Studies, Visual Communication, Feminist Media Studies, and Continuum: Journal of Media & Cultural Studies, among others. She was the 2020 Yale-China Arts Fellow and was a visiting scholar at the School of the Arts, Columbia University, in 2015. She is currently working on her monograph, Women Artists Reshaping Spatial Politics in Hong Kong. Dr. Frankie Rogan is an associate professor in sociology at the University of Birmingham, United Kingdom. Her research focuses on the role of digital cultures in producing contemporary gendered identities. Her monograph Digital Femininities explores the role of social media platforms in constructing cultural and political identities among girls and young women in England Stefania Marghitu is an assistant professor in film and television in the Department of Journalism and Creative Media at the University of Alabama. She is the author of Teen TV (Routledge TV Genre Guidebooks, 2021). She has also published work in journals such as Feminist Media Studies; New Review of Film and Television Studies; and Communication, Culture and Critique and edited collections such as White Supremacy in the American Media and ReFocus on Amy Heckerling. She received her PhD from the University of Southern California’s Division of Cinema and Media Studies in 2020 and has previously taught at Pitzer College; Chapman University; California State University, Northridge; and Loyola University New Orleans. She is currently working on a book manuscript on women showrunners in US network television. Jennifer O’Meara is associate professor of film studies at Trinity College Dublin, where she specializes in digital theory and practice and is a mentor on the HUMAN+ Marie Sklodowska-Curie Actions fellowship program, focused on human-centered approaches to technology. She has published on a diverse range of film and media topics in venues such as Cinema Journal, NECSUS, Feminist Media Studies, Celebrity Studies, and PRESENCE: Virtual and Augmented Reality. Her second book, Women’s Voices in Digital Media: The Sonic Screen from Film to Memes (University of Texas Press, 2022), received the Honourable Mention prize for Best Monograph from the British Association for Film, Television and Screen Studies (2023). Her current Irish Research Council Starting Laureate Award (2022–2026) project is titled “From Cinematic Realism to Extended Reality: Reformulating Screen Studies at the Precipice of Hyper-reality.” Jiayi Chen is currently a PhD candidate at the University of Warwick, United Kingdom. She obtained her MA from the London School of Economics and Political Science. Her research interests cover feminism, postfeminist surveillance culture, mediated self-representation, and critical discourse studies. Altman Yuzhu Peng is currently an associate professor at the University of Warwick. He received his PhD from Newcastle University, United Kingdom. His research interests lie at the intersections of critical discourse studies, feminism, media and cultural studies, and masculinity studies. Fan Xiao is a PhD candidate at the School of Communication, Hong Kong Baptist University. She is interested in Chinese digital culture, popular gender discourses, and subcultural communities. Her research appears on Media, Culture & Society, Global Media and China, and Chinese Journal of Communication. Yue Huang is a PhD candidate at the School of Communication, Hong Kong Baptist University. He received his bachelor’s degree in management from Anhui Normal University and a master’s degree in arts from the University of Science and Technology of China. He is interested in subcultures and online communities. Dr. Liew Kai Khiun is currently an assistant professor at Hong Kong Metropolitan University, focused on transnational media and cultural studies in the context of East and Southeast Asia. Among one of his research interests in this field is that of the sociocultural dimensions of digital and social media in Singapore. The related scholarly works cover that of heritage advocacy and social media, Internet social histories, digital memes, digital youth politics, online popular music, and regulatory policies. He has also formally provided input at public parliamentary hearings in Singapore on the areas of digital disinformation as well. Works-in-progress include that of LGBTQ+ related streaming sites in Singapore and the role of the Internet in sustaining Singlish, Singapore’s resilient linguistic vernacular. Underlying Kai Khiun’s scholarly endeavor is his recognition of the empowering and creative potential of cyberspace. Kirsten Han is a writer, journalist, editor, and activist from Singapore. She runs the email newsletter We, the Citizens, which covers Singapore through a rights-based lens, and also Altering States, an irregular newsletter reflecting on drug policy from a Singaporean’s perspective. She is a member of the Transformative Justice Collective, an abolitionist group, and has been an anti-death penalty activist since 2010. Her first book, The Singapore I Recognise: Essays on Home, Community and Hope, was published by Ethos Books in 2023. Kirsten graduated with a masters in journalism, media and communcations from Cardiff University, where she studied as a Chevening Scholar, in 2014. Sara Liao is an assistant professor of media studies at the Department of Film Productions and Media Studies, Donald P. Bellisario College of Communications, Pennsylvania State University. She is a media scholar and feminist, researching the intersectional area of digital media, feminism, globalization, and East Asian popular culture. She is currently working on theorizing and writing about digital feminist activism and the culture of misogyny in China. Dr. HaeLim Suh is an associate professor in the School of Communication, Film and Theater at the University of North Georgia. Her research focuses on media globalization, popular culture, and gender, race/ethnicity, and class identity. She teaches a variety of courses, including Korean cinema, globalization and South Korean media, intercultural communication, and film appreciation. Olivia Stowell is a PhD candidate in the Department of Communication and Media at the University of Michigan, with dual enrollment in the Digital Studies Institute. Her research focuses on discursive formations of race, racism, and racialization on twenty-first-century reality television, as well as reality TV’s circulations in digital spaces. Her scholarship has appeared in Television & New Media, New Review of Film and Television Studies, and the volume Feminist Posthumanism in Contemporary Science Fiction Film and Media. Her public writing has been published in the Los Angeles Review of Books, Post45 Contemporaries, ASAP/J, Avidly, and elsewhere Emma Conatser Rektenwald is a masters student in the Department of Radio-Television-Film at the University of Texas at Austin. Her research is primarily concerned with the connections between cinematic sound and the representation of gender in 1950s Hollywood Westerns. Other research interests include film music, film history, and feminist media study. She is deeply invested in the accessibility of archival research and hopes to continue to use archival methods in future projects. Kristen Leer is an NSF-GRP fellow and PhD student at the University of Michigan-Ann Arbor specializing in media psychology. Her research focuses on the intersectional relationship between trauma, media, and culture, specifically among marginalized racial/ethnic digital users. Tab Content 6Author Website:Countries AvailableAll regions |