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OverviewFull Product DetailsAuthor: Rosalind Galt (Senior Lecturer in Film Studies, Senior Lecturer in Film Studies, University of Sussex) , Karl Schoonover (Assistant Professor of Film Studies, Assistant Professor of Film Studies, Michigan State University) , Karl Schoonover , Karl SchoonoverPublisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 17.80cm , Height: 2.00cm , Length: 24.90cm Weight: 0.680kg ISBN: 9780195385632ISBN 10: 0195385632 Pages: 408 Publication Date: 29 April 2010 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents"Foreword Dudley Andrew Introduction The Impurity of Art Cinema Rosalind Galt and Karl Schoonover 1. Delimiting the Field Beyond Europe: A Parametric Tradition? Mark Betz The Fantastic Trajectory of Pink Art Cinema From Stalin to Bush Sharon Hayashi Towards an Inclusive, Exclusive Approach to Art Cinema David Andrews Unthinking Heterocentrism: Bisexual Representability in Art Cinema Maria San Filippo Interactive Art Cinema: Between ""Old"" and ""New"" Media with Un Chien andalou and eXistenZ Adam Lowenstein 2. The Art Cinema Image Art/Cinema and Cosmopolitanism Today Brian Price Between Auditorium and Gallery: Perception in Apichatpong Weerasethakul's Films and Installations Jihoon Kim Pasolini's Exquisite Flowers: ""The 'Cinema of Poetry'"" as a Theory of Art Cinema John David Rhodes From Index to Figure in the European Art Film: The Case of The Conformist Angelo Restivo Surrealism in Art and Film: Face and Time Angela Dalle Vacche 3. Art Cinema Histories The Volcano and the Barren Hill: Gabriel Figueroa and the Space of Art Cinema Patrick Keating The Essay Film as a Cinema of Ideas Timothy Corrigan The Cloud-Capped Star: Ritwik Ghatak on the Horizon of Global Art Cinema Manishita Dass Notes on Art Cinema and the Emergence of Sub-Saharan Film Philip Rosen Disentangling the International Festival Circuit: Genre and Iranian Cinema Azadeh Farahmand 4. Geopolitical Intersections European Art Cinema, Affect, and Post-colonialism: Herzog, Denis, and the Dardenne Brothers E. Ann Kaplan Offering Tales They Want to Hear: Transnational European Film Funding as Neo-Orientalism Randall Halle Abderrahmane Sissako: Second and Third Cinema in the First Person Rachel Gabara Tsai Ming-liang's Haunted Movie Theater Jean Ma Traveling Theory, Shots, and Players: Jorge Sanjinés, New Latin American Cinema, and the European Art Film Dennis Hanlon Critical Bibliography Notes on the Contributors"ReviewsThe excellent introduction not only frames the anthology's discussion of global art cinema but also offers a long-overdue account of the aesthetie, industrial, and political contours and consequences.... Global Art Cinema successfully recuperates 'art cinema' and introduces 'global art cinema' as a new term for discussion and debate. of art cinema. --Lisa Patti, Film Criticism A much-needed and effective collection of essays in which various scholars both delimit and interrogate the concept of art cinema in a global context. --Kevin Cryderman, Film Quarterly Global Art Cinema makes a substantial contribution to contemporary film scholarship in general and to scholarship about the world's art cinemas in particular. --Daniel Herbert, Postmodern Culture This is a rich and stimulating book. It uses the term 'art cinema' in multiple senses to explore the current global reality of cinema. For too long art cinema has been used as a lazy shorthand for social snobbery or aesthetic complacency. Global Art Cinema makes such laziness impossible. --Colin MacCabe, University of Pittsburgh and University of London The world reflected in Global Art Cinema is not only that of art cinema: this volume opens up the many worlds within art cinema-sexual, political, aesthetic, industrial, and archival. It also provides an atlas of its many and varied global manifestations. --Akira Mizuta Lippit, USC School of Cinematic Arts The choice of subjects is eye catching...There's no doubt this book opens up an area short on theory and argues persuasively for art cinema's validity as a critical category that brings most other film studies categories into question. --Sight and Sound Global Art Cinema is particularly valuable for suggesting how transnational cultural exchange has always been operative, especially in the realm of art cinema, yet the transnational dimensions do not negate the importance of national policy and film cultures. Similarly art cinema has never been merely a European and Japanese phenomenon, though each have played a crucial role in its development. --Category D Splendid collection ... Although 'art cinema' as a term seems almost too open, and although this collection is truly global in scope, the essays taken together give the impression of a fascinating, focused discussion. Highly recommended. --S.C. Dillon, CHOICE After a deftly argued introduction that's alive to all the complexities and potential problems of definition, the following chapters cover all the bases you'd expect... But there's no doubt this book opens up an area short on theory and argues persuasively for art cinema's validity as a critical category that brings most other film studies categories into question. Kieron Corless, Sight & Sound After a deftly argued introduction that's alive to all the complexities and potential problems of definition, the following chapters cover all the bases you'd expect... But there's no doubt this book opens up an area short on theory and argues persuasively for art cinema's validity as a critical category that brings most other film studies categories into question. * Kieron Corless, Sight & Sound * a welcome and illuminating addition to the literature on world cinema. * Billy Bud Vermillion, Scope * Author InformationRosalind Galt is a Senior Lecturer in film studies in the School of Media, Film and Music at the University of Sussex. She is the author of The New European Cinema: Redrawing the Map (2006), an assessment of the spaces of European cinema after the fall of the Berlin Wall, as well as articles in journals such as Screen, Camera Obscura, Cinema Journal and Discourse, and in the collections European Film Theory (2008) and On Michael Haneke (2010). Karl Schoonover is Assistant Professor of film studies in the Department of English at Michigan State University. He has authored essays in the collections European Film Theory (2008), Convergence Media History (2009), and Screen Stars of the Seventies (2010), and in Art Journal. He is currently completing a book that examines corporeality in Italian neorealism. Tab Content 6Author Website:Countries AvailableAll regions |
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