Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics

Author:   Michael Betancourt (Savannah College of Art and Design, USA)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367884246


Pages:   152
Publication Date:   10 December 2019
Format:   Paperback
Availability:   In Print   Availability explained
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Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics


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Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics explores the concept of ""glitch"" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework.

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Author:   Michael Betancourt (Savannah College of Art and Design, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367884246


ISBN 10:   0367884240
Pages:   152
Publication Date:   10 December 2019
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as CTheory, Semiotica, and Leonardo.

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