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OverviewItalian giallo films have a peculiar allure. Taking their name from the Italian for ""yellow""— reflecting the covers of pulp crime novels—these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, Giallo! traces this historically marginalized genre's journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including The Girl Who Knew Too Much (1963), Blood and Black Lace (1964), The Bird with the Crystal Plumage (1970), The Black Belly of the Tarantula (1971), and The Case of the Bloody Iris (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity. Full Product DetailsAuthor: Alexia KannasPublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.227kg ISBN: 9781438480329ISBN 10: 1438480326 Pages: 184 Publication Date: 02 July 2021 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Acknowledgments Introduction 1. The Problem of Genre 2. The Cultification of the Italian Giallo 3. No Place like Home: The Late-Modern City 4. Those Who Wait: Tourists, Detectives, and Urban Experience in the Giallo City 5. The Most Unnatural Kind of Death Conclusion Works Cited Filmography IndexReviewsThis is a distinctive text that crosses the boundaries of national cinema, popular forms, theoretical works of modernity and modernism, and spectatorship. Kannas does an excellent job of blending different aspects of film and cultural theory, reception, and textuality. It's a pleasure to read. - Marcia Landy, author of Stardom, Italian Style: Screen Performance and Personality in Italian Cinema ...[Kannas] offers fresh insights into the giallo film-especially concerning its use of excess and decadence to register the last gasp of modernity and modernism-that make the volume valuable to those interested in cult movies and popular Italian cinema. - CHOICE This is a distinctive text that crosses the boundaries of national cinema, popular forms, theoretical works of modernity and modernism, and spectatorship. Kannas does an excellent job of blending different aspects of film and cultural theory, reception, and textuality. It's a pleasure to read. - Marcia Landy, author of Stardom, Italian Style: Screen Performance and Personality in Italian Cinema Author InformationAlexia Kannas is Lecturer in Media and Cinema Studies in the School of Media and Communication, RMIT University in Melbourne, Australia. She is the author of Deep Red. Tab Content 6Author Website:Countries AvailableAll regions |
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