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In her bold and compelling Ghost Words and Invisible Giants, Lheisa Dustin provides both a systematic Lacanian reading of some of the most baffling texts of modernism, Djuna Barnes's Nightwood and Ryder, H. D.'s The Sword went out to Sea and Helen in Egypt, and an eloquent critical language aware of their proximity with psychosis and trauma--a capacious and non-dogmatic language capable of situating H.D. next to Freud's President Schreber or of unraveling Barnes's tangle of images haunted by transgenerational ghosts. Plumbed in its foreclosed crypts and deepest abysses, modernism opens up under the impact of a transsexualist jouissance verging on mysticism.--Jean-Michel Rabate, University of Pennsylvania and American Academy of Arts and Sciences Lheisa Dustin draws on Lacanian theory, Buddhist thought and feminist scholarship to offer densely argued interpretations of work by H.D. and Djuna Barnes. Focusing particularly on the two women's challenging use of language, Ghost Words and Invisible Giants acknowledges academic and spiritual sources while suggesting fresh ways of making sense of enigmatic linguistic tendencies and patterns. This study will be of particular interest to readers in literary modernism, spirituality and psychoanalytic theory.--Caroline Zilboorg, is the editor of Richard Aldington and H.D.: Their Lives in Letters and H.D.'s Bid Me to Live. Among her other books are Transgressions, a historical novel about H.D., and the two-volume Life of Gregory Zilboorg (Psyche, Psychology and Psychoanalysis and Mind, Medicine and Man)

This work is beautifully written, carefully thought out. Scholarly and penetrating, it regards suffering with a steady, compassionate eye, letting visionary poets' madness be just ordinary. In letting literary madness be, Dustin offers lively, textured, and illuminating readings of daunting modernist texts, and a new and important approach to the constellated issues of spirituality, the visionary, and the mad. A meticulously argued and compelling approach to modernist use of language based on attention to asymbolic modes of meaning.--Matte Robinson, St. Thomas University, Fredericton In her bold and compelling Ghost Words and Invisible Giants, Lheisa Dustin provides both a systematic Lacanian reading of some of the most baffling texts of modernism, Djuna Barnes's Nightwood and Ryder, H. D.'s The Sword went out to Sea and Helen in Egypt, and an eloquent critical language aware of their proximity with psychosis and trauma--a capacious and non-dogmatic language capable of situating H.D. next to Freud's President Schreber or of unraveling Barnes's tangle of images haunted by transgenerational ghosts. Plumbed in its foreclosed crypts and deepest abysses, modernism opens up under the impact of a transsexualist jouissance verging on mysticism.--Jean-Michel Rabate, University of Pennsylvania and American Academy of Arts and Sciences Lheisa Dustin's brilliant, original study of H.D. and Barnes is much more than a work of literary scholarship. It is a penetrating investigation of the language of suffering, drawing from and making connections between modernist literature, post-Freudian psychoanalysis, Buddhist and Advaita philosophy and practice. A rich and moving book.--Krishnan Venkatesh, St. John's College, author of Do You Know Who You Are? and Frodo's Wound Lheisa Dustin draws on Lacanian theory, Buddhist thought and feminist scholarship to offer densely argued interpretations of work by H.D. and Djuna Barnes. Focusing particularly on the two women's challenging use of language, Ghost Words and Invisible Giants acknowledges academic and spiritual sources while suggesting fresh ways of making sense of enigmatic linguistic tendencies and patterns. This study will be of particular interest to readers in literary modernism, spirituality and psychoanalytic theory.--Caroline Zilboorg, is the editor of Richard Aldington and H.D.: Their Lives in Letters and H.D.'s Bid Me to Live. Among her other books are Transgressions, a historical novel about H.D., and the two-volume Life of Gregory Zilboorg (Psyche, Psychology and Psychoanalysis and Mind, Medicine and Man)

In her bold and compelling Ghost Words and Invisible Giants, Lheisa Dustin provides both a systematic Lacanian reading of some of the most baffling texts of modernism, Djuna Barnes's Nightwood and Ryder, H. D.'s The Sword went out to Sea and Helen in Egypt, and an eloquent critical language aware of their proximity with psychosis and trauma--a capacious and non-dogmatic language capable of situating H.D. next to Freud's President Schreber or of unraveling Barnes's tangle of images haunted by transgenerational ghosts. Plumbed in its foreclosed crypts and deepest abysses, modernism opens up under the impact of a transsexualist jouissance verging on mysticism. --Jean-Michel Rabat�, University of Pennsylvania and American Academy of Arts and Sciences Lheisa Dustin draws on Lacanian theory, Buddhist thought and feminist scholarship to offer densely argued interpretations of work by H.D. and Djuna Barnes. Focusing particularly on the two women's challenging use of language, Ghost Words and Invisible Giants acknowledges academic and spiritual sources while suggesting fresh ways of making sense of enigmatic linguistic tendencies and patterns. This study will be of particular interest to readers in literary modernism, spirituality and psychoanalytic theory. --Caroline Zilboorg, is the editor of Richard Aldington and H.D.: Their Lives in Letters and H.D.'s Bid Me to Live. Among her other books are Transgressions, a historical novel about H.D., and the two-volume Life of Gregory Zilboorg (Psyche, Psychology and Psychoanalysis and Mi Lheisa Dustin's brilliant, original study of H.D. and Barnes is much more than a work of literary scholarship. It is a penetrating investigation of the language of suffering, drawing from and making connections between modernist literature, post-Freudian psychoanalysis, Buddhist and Advaita philosophy and practice. A rich and moving book. --Krishnan Venkatesh, St. John's College, author of Do You Know Who You Are? and Frodo's Wound This work is beautifully written, carefully thought out. Scholarly and penetrating, it regards suffering with a steady, compassionate eye, letting visionary poets' madness be just ordinary. In letting literary madness be, Dustin offers lively, textured, and illuminating readings of daunting modernist texts, and a new and important approach to the constellated issues of spirituality, the visionary, and the mad. A meticulously argued and compelling approach to modernist use of language based on attention to asymbolic modes of meaning. --Matte Robinson, St. Thomas University, Fredericton

In her bold and compelling Ghost Words and Invisible Giants, Lheisa Dustin provides both a systematic Lacanian reading of some of the most baffling texts of modernism, Djuna Barnes's Nightwood and Ryder, H. D.'s The Sword went out to Sea and Helen in Egypt, and an eloquent critical language aware of their proximity with psychosis and trauma--a capacious and non-dogmatic language capable of situating H.D. next to Freud's President Schreber or of unraveling Barnes's tangle of images haunted by transgenerational ghosts. Plumbed in its foreclosed crypts and deepest abysses, modernism opens up under the impact of a transsexualist jouissance verging on mysticism. Lheisa Dustin draws on Lacanian theory, Buddhist thought and feminist scholarship to offer densely argued interpretations of work by H.D. and Djuna Barnes. Focusing particularly on the two women's challenging use of language, Ghost Words and Invisible Giants acknowledges academic and spiritual sources while suggesting fresh ways of making sense of enigmatic linguistic tendencies and patterns. This study will be of particular interest to readers in literary modernism, spirituality and psychoanalytic theory. Lheisa Dustin's brilliant, original study of H.D. and Barnes is much more than a work of literary scholarship. It is a penetrating investigation of the language of suffering, drawing from and making connections between modernist literature, post-Freudian psychoanalysis, Buddhist and Advaita philosophy and practice. A rich and moving book. This work is beautifully written, carefully thought out. Scholarly and penetrating, it regards suffering with a steady, compassionate eye, letting visionary poets' madness be just ordinary. In letting literary madness be, Dustin offers lively, textured, and illuminating readings of daunting modernist texts, and a new and important approach to the constellated issues of spirituality, the visionary, and the mad. A meticulously argued and compelling approach to modernist use of language based on attention to asymbolic modes of meaning.

In her bold and compelling Ghost Words and Invisible Giants, Lheisa Dustin provides both a systematic Lacanian reading of some of the most baffling texts of modernism, Djuna Barnes's Nightwood and Ryder, H. D.'s The Sword went out to Sea and Helen in Egypt, and an eloquent critical language aware of their proximity with psychosis and trauma--a capacious and non-dogmatic language capable of situating H.D. next to Freud's President Schreber or of unraveling Barnes's tangle of images haunted by transgenerational ghosts. Plumbed in its foreclosed crypts and deepest abysses, modernism opens up under the impact of a transsexualist jouissance verging on mysticism.--Jean-Michel Rabate, University of Pennsylvania and American Academy of Arts and Sciences

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Lheisa Dustin is assistant professor at Sultan Qaboos University.

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