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Overview"Just once in a while, actors and performers change the whole way in which they approach the words in their scripts. Such a change happened in the early-to-middle years of the twentieth century; and the person behind it was ""Dadie"" Rylands. He was a man with an ear acutely attuned to the nuances of poetry, and he insisted that it was the ear and not the eye that mattered most in productions of Shakespeare. It was Rylands who taught an exceptional generation of Shakespearean actors how to speak. Gielgud, Olivier, Ashcroft, Redgrave – all owed their superb diction to him. Moreover, they adored him as a person. Amazingly for a man with such influence, Rylands was not ensconced in the established Theatre. He taught undergraduates at Cambridge and his own productions were with the amateur Marlowe Dramatic Society there. Nor was his life confined to dramatics and the academic world. He was a fringe member of the Bloomsbury set – firm friends with Lytton Strachey, Virginia Woolf and John Maynard Keynes, all regular correspondents. And his circle of notable friends stretched to a wider group of literati including Maurice Bowra and T. S. Eliot. Rylands died, aged 97, in 1999. We no longer have his irrepressible presence, but he left a palpable legacy in gramophone recordings of all Shakespeare’s plays in which he directed star-studded casts. Now that legacy is augmented by Peter Raina’s study, with its admirable selection of Rylands’ marvellously lucid radio talks (hitherto unpublished) and its sampling of the multitude of letters he wrote and received." Full Product DetailsAuthor: Peter RainaPublisher: Peter Lang International Academic Publishers Imprint: Peter Lang International Academic Publishers Edition: New edition Weight: 0.809kg ISBN: 9781789976939ISBN 10: 1789976936 Pages: 492 Publication Date: 25 February 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"PREFACE - ACKNOWLEDGEMENTS - 1. EARLY LIFE AND EDUCATION - 2. THE BLOOMSBURY EFFECT - 3. A DIALOGUE ON POETRY - 4. POETRY IS NOT WRITTEN WITH IDEAS; IT IS - WRITTEN WITH WORDS - 5. BBC TALKS: SYDNEY AND SHAKESPEARE - 6. BBC TALKS: POETRY AND HOW TO SPEAK IT - 7. BBC TALKS: MORE SHAKESPEARE - 8. BBC TALKS: WITH VIOLET ASQUITH AND ON - VIRGINIA WOOLF - 9. ESSAYS - 10. WITS NURTURED IN ELIZABETHAN - CAMBRIDGE - 11. SHAKESPEARE’S IMAGE OF MAN AND NATURE - 12. SHAKESPEARE’S POETIC ENERGY - 13. A MAN OF THE THEATRE: ""THE STAGE HAS NO - SECRETS FOR ME"" - 14. LECTURER AND TUTOR - 15. DADIE’S ROOMS AT KING’S - 16. DOMUS BURSAR - 17. LETTERS: THE VIRTUES OF FRIENDSHIP - 18. LETTERS: KEEPING UP WITH BLOOMSBURY - 19. LAST SCENE OF ALL"ReviewsAuthor InformationPeter Raina read Modern History at St Catherine’s College, Oxford. Later he worked on various aspects of British history in Oxford, as Senior Research Associate, the Graduate Centre, Balliol College; Honorary Member of High Table and Member of the Senior Common Room, Christ Church; Associate Member of Nuffield College; Honorary Member of the Senior Common Room, Magdalen College; Visiting Research Scholar, Faculty of History; Visiting Fellow at the Institute of Historical Research, School of Advanced Studies, London, and at the Centre of International Studies, Faculty of History, Cambridge. He was granted High Table Dining Privileges at Peterhouse and at Corpus Christi College, Cambridge. He is a life Member of Clare Hall, Cambridge. His publications include a monumental six volume history of the House of Lords reforms, and classic biographies: The Seventh Earl Beauchamp: A Victim of His Times, and John Sparrow, Warden of All Souls College, Oxford. Tab Content 6Author Website:Countries AvailableAll regions |
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