Genre Trouble and Extreme Cinema: Film Theory at the Fringes of Contemporary Art Cinema

Author:   Troy Bordun
Publisher:   Springer International Publishing AG
Edition:   1st ed. 2017
ISBN:  

9783319658933


Pages:   244
Publication Date:   05 December 2017
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Genre Trouble and Extreme Cinema: Film Theory at the Fringes of Contemporary Art Cinema


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Overview

This volume re-evaluates theories of genre and spectatorship in light of a critic-defined tendency in recent art cinema, coined ‘extreme cinema’. In Genre Trouble and Extreme Cinema, Bordun argues that the films of Mexican director Carlos Reygadas and French director Catherine Breillat expand generic classifications. Bordun contends that their films make it apparent that genre is not established prior to the viewing of a work but is recollected and assembled by spectators in ways that matter for them in both personal and experiential terms. The author deploys contemporary film theories on the senses, both phenomenological and affect theory, and partakes in close readings of the films’ forms and narratives. The book thus adds to the present literature on extreme cinema and film theory, yet sets itself apart by fully deploying genre theory alongside the methodological and stylistic approaches of Stanley Cavell, Vivian Sobchack, Laura U. Marks, and Eugenie Brinkema.

Full Product Details

Author:   Troy Bordun
Publisher:   Springer International Publishing AG
Imprint:   Springer International Publishing AG
Edition:   1st ed. 2017
Weight:   4.341kg
ISBN:  

9783319658933


ISBN 10:   331965893
Pages:   244
Publication Date:   05 December 2017
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction: Genre Trouble and Extreme Cinema.- 2. Carlos Reygadas, the Avant-Garde, and the Senses.- 3. !Que Viva Mexico!: Reygadas as Documentarian.- 4. I Don’t Know It When I See it: Catherine Breillat’s Pornography.- 5. Horrible Pornography: Fat Girl (À ma soeur!, 2001).- 6. Onscreen and Off-screen Flesh and Blood: Performance, Pornography, Ethics.- 7. Reframing Spectatorship Theory with Extreme Cinema.- 8. Conclusion: Know Genre, No Trouble.

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Author Information

Troy Bordun is a contract instructor in Sociology and Cultural Studies at Trent University in Ontario, Canada.

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