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9789004411425

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This impressive volume comes from a conference held at the University of California, Berkeley in 2015, and provides several excellent discussions of different approaches to genre in early Greek poetry (essentially from Homer to Euripides). The authors for the most part share a sense that we need to move away from the notion that occasions uncomplicatedly produce genres: we should not seek in or behind archaic and classical Greek song a pre-lapsarian, pre-literary generic system. Most stress that 'purity' of genre should not be sought or invoked, but they provide a variety of ways to reconfigure how we think of genre and how attention to genre can help us to read particular texts. - Richard Rawles, University of Edinburgh, Bryn Mawr Classical Review, 2020.10.26.

This impressive volume comes from a conference held at the University of California, Berkeley in 2015, and provides several excellent discussions of different approaches to genre in early Greek poetry (essentially from Homer to Euripides). The authors for the most part share a sense that we need to move away from the notion that occasions uncomplicatedly produce genres: we should not seek in or behind archaic and classical Greek song a pre-lapsarian, pre-literary generic system. Most stress that 'purity' of genre should not be sought or invoked, but they provide a variety of ways to reconfigure how we think of genre and how attention to genre can help us to read particular texts. - Richard Rawles, University of Edinburgh, in: Bryn Mawr Classical Review, 2020.10.26

Author Information

Margaret Foster is Associate Professor of Classical Studies at Indiana University. Her work focuses on archaic and classical Greek poetry and cultural history. She is the author of The Seer and the City: Religion, Politics, and Colonial Ideology in Ancient Greece (University of California Press, 2018). Leslie Kurke is Gladys Rehard Wood Professor of Classics and Comparative Literature at the University of California, Berkeley. Her work focuses on Greek literature and cultural history; her most recent book (co-authored with Richard Neer) is Pindar, Song, and Space: Towards a Lyric Archaeology (Johns Hopkins University Press, 2019). Naomi Weiss is the Gardner Cowles Associate Professor of the Humanities in the Department of the Classics at Harvard University. She has published widely on ancient Greek theater and performance culture, and is the author of The Music of Tragedy: Performance and Imagination in Euripidean Theater (University of California Press, 2018). Contributors are: Seth Estrin, Andrew Ford, Margaret Foster, Mark Griffith, Gregory Nagy, Sarah Olsen, Timothy Power, Francesca Schironi, Deborah Steiner, Mario Telo, Naomi Weiss.

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