Overview

This volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick’s films in contemporary debates around gender, race, and age—with a focus on women’s representations. Offering new historical and critical perspectives on Kubrick’s cinema, the book asks how his work should be viewed bearing in mind issues of gender equality, sexual harassment, and abuse. The authors tackle issues such as Kubrick’s at times questionable relationships with his actresses and former wives; the dynamics of power, misogyny, and miscegenation in his films; and auteur ""apologism,"" among others. The selections delineate these complex contours of Kubrick’s work by drawing on archival sources, engaging in close readings of specific films, and exploring Kubrick through unorthodox venture points. With an interdisciplinary scope and social justice-centered focus, this book offers new perspectives on a well-established area of study. It will appeal to scholars and upper-level students of film studies, media studies, gender studies, and visual culture, as well as to fans of the director interested in revisiting his work from a new perspective.

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9781032076591

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Reviews

"""To anyone interested in re-reading Kubrick's films through the lens of contemporary sensibilities, this anthology is essential: with perceptive, varied, and even conflicting results, its essays are thought-provoking and prove that Kubrick's work is still very much alive."" Filippo Ulivieri, screenwriter; leading expert on Stanley Kubrick's cinema in Italy ""Ritzenhoff, Metlic and Szaniawski marshal an eye-opening reappraisal of Stanley Kubrick's films by trading the dominant narrative of auteurism for a focus on Kubrick's ""others."" Armed with great disciplinary range, the chapters investigate Kubrick's representations of women, racialized people, children, the elderly, of queerness, Jewishness, phallicism, patriarchy, and misogyny. This is essential reading on the films and their engagement with tropes of western sexual politics, race, and global capitalism."" Kate McQuiston, Professor of Music, The University of Hawaiʻi at Mānoa ""Frequently provocative and contrarian this expertly curated collection of essays stimulates a reassessment -- if not revision -- of core themes, motifs and conventions that undergirds Kubrick's cinematic art. There is plenty here to challenge and confront the most ardent of Kubrick fans and scholars. Highly recommended."" Mick Broderick, Curtin and RMIT Universities, Australia, author of Reconstructing Kubrick (2017), editor of Post-Kubrick (2017) and The Kubrick Legacy (2019)"

Author Information

Karen A. Ritzenhoff is Professor in the Department of Communication at Central Connecticut State University, USA. Dijana Metlić is Associate Professor of Art History at the Academy of Arts, University of Novi Sad, Republic of Serbia. Jeremi Szaniawski is Assistant Professor of Comparative Literature and Film Studies at the University of Massachusetts Amherst, USA.

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