Gender and Representation in the Films of Ingmar Bergman

Author:   Marilyn Johns Blackwell
Publisher:   Boydell & Brewer Ltd
ISBN:  

9781571130945


Pages:   240
Publication Date:   22 May 1997
Format:   Hardback
Availability:   In Print   Availability explained
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Gender and Representation in the Films of Ingmar Bergman


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Overview

This book covers the whole of Bergman's production, but concentrates in particular on close analyses of five of his major films: Smiles of a Summer Night, The Seventh Seal, The Silence, Persona, and Cries and Whispers. In addition to bringing post-modernist theoretical strategies to bear on the films, it offers a clear, current, pluralist feminist perspective.

Full Product Details

Author:   Marilyn Johns Blackwell
Publisher:   Boydell & Brewer Ltd
Imprint:   Camden House Inc
Dimensions:   Width: 38.60cm , Height: 2.10cm , Length: 57.90cm
Weight:   0.001kg
ISBN:  

9781571130945


ISBN 10:   1571130942
Pages:   240
Publication Date:   22 May 1997
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Marilyn Johns Blackwell concentrates on about half a dozen of the forty-odd films, and applies an intense gaze to each of them. Ms. Blackwell herself often has better notions than the myriad other academics she cites. She is excellent on Bergman's voyeuristic technique in Smiles, on the Swede's 'troubling stereotype' of associating the upper classes with the spirit, and the lower classes with the flesh, and the underestimated use of silence throughout a film like The Seventh Seal. * THE SWEDISH BOOK REVIEW *


Marilyn Johns Blackwell concentrates on about half a dozen of the forty-odd films, and applies an intense gaze to each of them. Ms. Blackwell herself often has better notions than the myriad other academics she cites. She is excellent on Bergman's voyeuristic technique in Smiles, on the Swede's 'troubling stereotype' of associating the upper classes with the spirit, and the lower classes with the flesh, and the underestimated use of silence throughout a film like The Seventh Seal. THE SWEDISH BOOK REVIEW


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