|
|
|||
|
||||
Overview"Gabriel Vormstein (b. Konstanz, 1974; lives and works in Berlin) explores themes of impermanence, temporality, and futility through a unique visual language. He paints using newspapers as a canvas, and creates installations out of tree branches and other organic matter. These "" poor"" materials subvert a prevailing notion in Western culture that an artwork should be eternally preserved. Through the adaptation of various styles and symbols, Vormstein's paintings likewise speak to the transience of art historical and cultural trends. Over 300 pages, this richly illustrated book provides an overview of Vormstein's oeuvre over the past two decades, while also offering an atmospheric glimpse into the artist's source material and working methods. The publication is enriched by an essay by Gean Moreno, who characterizes Vormstein's work as follows: "" Gabriel Vormstein's paintings and sculptures (... ) announce their condition as withering artifacts, as if no other manner of existing was available to them (and maybe to us, as well).""" Full Product DetailsAuthor: Gean MorenoPublisher: Dr. Cantz'sche Verlagsgesellschaft mbH & Co. KG Imprint: Dr. Cantz'sche Verlagsgesellschaft mbH & Co. KG ISBN: 9783969121054ISBN 10: 3969121051 Pages: 296 Publication Date: 01 July 2024 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationGean Moreno is currently the Curator of Programs at ICA Miami, where he established and runs the Art + Research Center. He was on the Advisory Committee for the 2017 Whitney Biennial and serves on the editorial and advisory committees of several publications and foundations. Tab Content 6Author Website:Countries AvailableAll regions |