Funny Weather: Art in an Emergency

Author:   Olivia Laing
Publisher:   Pan Macmillan
ISBN:  

9781529027655


Pages:   368
Publication Date:   29 April 2021
Recommended Age:   From 18 years
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Funny Weather: Art in an Emergency


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Full Product Details

Author:   Olivia Laing
Publisher:   Pan Macmillan
Imprint:   Picador
Dimensions:   Width: 13.00cm , Height: 2.50cm , Length: 19.60cm
Weight:   0.264kg
ISBN:  

9781529027655


ISBN 10:   1529027659
Pages:   368
Publication Date:   29 April 2021
Recommended Age:   From 18 years
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Reviews

Laing is an intelligent and acute writer, and this book is certainly interesting and assuredly well-written * Scotsman * Her words seem balefully accurate, given what has now overtaken us * Financial Times * Laing's essays are urgent, compassionate, enlivening and acutely perceptive, and that's true whether or not we encounter them in an emergency * the arts desk * Vibrant commentary on art and society by a writer with a sharp eye for the offbeat * Kirkus * It's not just art we need in an emergency, but writers, like Laing, who gently guide our eyes to what's out there * Observer * ...leavened by empathy and an omnivorous curiosity * Guardian * An incivisive meditation on the value of heartfelt, messy art in our paranoid times * Telegraph * Olivia Laing shines the light for art writing. Funny Weather urges us to humanise art, and listen to what artists say about life, love and crisis. -- Charlie Porter I yield to absolutely no one in my admiration of Olivia Laing; her essays are magical liberations of words and ideas, art and love; they're the essence of great 21st century literature: brilliantly expressed, wildly uncontained, wilful and wonderfully unbound. -- Philip Hoare, author of RISINGTIDEFALLINGSTAR Breathtaking, beautiful, funny, shocking, sad, revealing, and timely -- Nina Stibbe, author of <i>Love, Nina</i> Her gift as a critic is her ability to imaginatively sympathize with her subjects in a way that allows the art and life of the artist to go on radiating meaning after the book is closed * Elle * A light-footed tour of enriching stories, lives, and ideas * Dazed and Confused * The book to help you make sense of the world . . . [a] mesmerizing collection of essays . . . this unique and compassionate book is a mind-expanding opportunity to rethink how we live, and what we can do to change things for the better. * Stylist * A fine writer's embrace of the artists who preceded her, friendly visits with their lives and loving acknowledgement of their foundational contributions. A work of joy in recognition -- Sarah Schulman Never has a publication been more timely * Dazed * The hospitality of world view in Olivia's writing is a vital force in our disputatious present -- Maria Balshaw, director of Tate Olivia Laing combines passion and curiosity in a collection of art-based essays and profiles that reflect the uncertainty of our age * Observer * Laing has acted as a kind of cultural sage for the past four years, an accidental literary grande dame of the emotional havoc wrought by late capitalism and digital disconnect * New York Magazine * Funny Weather gives the reader a tangible sense of the sprawling garden of work which Laing has planted. She is to the art world what David Attenborough is to nature: a worthy guide with both a macro and micro vision, fluent in her chosen tongue and always full of empathy and awe * Irish Times * A thought-provoking, inspiring collection that you can go back to whenever the weather takes a funny turn * Evening Standard * Her observations and poetic incisiveness on art, writers and politics are a gift. This is a fascinating, excursive, tonic of a book -- Sinead Gleeson, author of <i>Constellations</i> A warm, thinking, enticing sweep of a book, like spending the afternoon with your brainiest friend -- Kate Mosse, author of <i>The Burning Chambers</i> Like all great critics, Olivia Laing combines formidable intelligence with boundless curiosity and fabulous taste, but she also has a rare quality of intimacy; an ability to connect the reader to a work of art or literature with a directness that lights it up like nothing else. It's why I read her -- James Lasdun Olivia Laing is my new favourite non-fiction writer * Nick Hornby * A brave writer whose books open up fundamental questions about life and art * Telegraph *


A brave writer whose books open up fundamental questions about life and art * Telegraph * Olivia Laing is my new favourite non-fiction writer -- Nick Hornby Like all great critics, Olivia Laing combines formidable intelligence with boundless curiosity and fabulous taste, but she also has a rare quality of intimacy; an ability to connect the reader to a work of art or literature with a directness that lights it up like nothing else. It's why I read her -- James Lasdun Her observations and poetic incisiveness on art, writers and politics are a gift. This is a fascinating, excursive, tonic of a book -- Sinead Gleeson, author of <i>Constellations</i> A thought-provoking, inspiring collection that you can go back to whenever the weather takes a funny turn * Evening Standard * Funny Weather gives the reader a tangible sense of the sprawling garden of work which Laing has planted. She is to the art world what David Attenborough is to nature: a worthy guide with both a macro and micro vision, fluent in her chosen tongue and always full of empathy and awe * Irish Times * Laing has acted as a kind of cultural sage for the past four years, an accidental literary grande dame of the emotional havoc wrought by late capitalism and digital disconnect * New York Magazine * Laing writes of her creative subjects in a winning, passionate voice that proves both soothing and galvanizing, especially amid a panic . . . It's not just art we need in an emergency, but writers, like Laing, who gently guide our eyes to what's out there -- Alina Cohen * Observer * The hospitality of world view in Olivia's writing is a vital force in our disputatious present -- Maria Balshaw, director of Tate Laing combines passion and curiosity in a collection of art-based essays and profiles that reflect the uncertainty of our age * Guardian * Never has a publication been more timely * Dazed * A warm, thinking, enticing sweep of a book, like spending the afternoon with your brainiest friend -- Kate Mosse, author of <i>The Burning Chambers</i> A fine writer's embrace of the artists who preceded her, friendly visits with their lives and loving acknowledgement of their foundational contributions. A work of joy in recognition -- Sarah Schulman The book to help you make sense of the world . . . [a] mesmerizing collection of essays . . . this unique and compassionate book is a mind-expanding opportunity to rethink how we live, and what we can do to change things for the better. * Stylist * A light-footed tour of enriching stories, lives, and ideas * Dazed and Confused * Her gift as a critic is her ability to imaginatively sympathize with her subjects in a way that allows the art and life of the artist to go on radiating meaning after the book is closed * Elle * Breathtaking, beautiful, funny, shocking, sad, revealing, and timely -- Nina Stibbe, author of <i>Love, Nina</i> I yield to absolutely no one in my admiration of Olivia Laing; her essays are magical liberations of words and ideas, art and love; they're the essence of great 21st century literature: brilliantly expressed, wildly uncontained, wilful and wonderfully unbound. -- Philip Hoare, author of RISINGTIDEFALLINGSTAR Olivia Laing shines the light for art writing. Funny Weather urges us to humanise art, and listen to what artists say about life, love and crisis. -- Charlie Porter An incivisive meditation on the value of heartfelt, messy art in our paranoid times * Telegraph * It's not just art we need in an emergency, but writers, like Laing, who gently guide our eyes to what's out there * Observer * Vibrant commentary on art and society by a writer with a sharp eye for the offbeat * Kirkus * Laing's essays are urgent, compassionate, enlivening and acutely perceptive, and that's true whether or not we encounter them in an emergency * the arts desk * Her words seem balefully accurate, given what has now overtaken us * Financial Times * Laing is an intelligent and acute writer, and this book is certainly interesting and assuredly well-written * Scotsman * Laing's arts writing is sharp-minded, and her manner is generous toward both subject and reader * Washington Post *


Olivia Laing shines the light for art writing. Funny Weather urges us to humanise art, and listen to what artists say about life, love and crisis. -- Charlie Porter I yield to absolutely no one in my admiration of Olivia Laing; her essays are magical liberations of words and ideas, art and love; they're the essence of great 21st century literature: brilliantly expressed, wildly uncontained, wilful and wonderfully unbound. -- Philip Hoare, author of RISINGTIDEFALLINGSTAR Breathtaking, beautiful, funny, shocking, sad, revealing, and timely -- Nina Stibbe, author of <i>Love, Nina</i> In the current climate, a writer of Olivia Laing's intelligence is more necessary than ever. Her observations and poetic incisiveness on art, writers and politics are a gift. This is a fascinating, excursive, tonic of a book. -- Sinead Gleeson, author of <i>Constellations</i> A light-footed tour of enriching stories, lives, and ideas. * Dazed and Confused * A warm, thinking, enticing sweep of a book, like spending the afternoon with your brainiest friend. -- Kate Mosse, author of <i>The Burning Chambers</i> The book to help you make sense of the world . . . [a] mesmerizing collection of essays . . . this unique and compassionate book is a mind-expanding opportunity to rethink how we live, and what we can do to change things for the better. * Stylist * A fine writer's embrace of the artists who preceded her, friendly visits with their lives and loving acknowledgement of their foundational contributions. A work of joy in recognition. -- Sarah Schulman Like all great critics, Olivia Laing combines formidable intelligence with boundless curiosity and fabulous taste, but she also has a rare quality of intimacy; an ability to connect the reader to a work of art or literature (or for that matter a facet of life itself) with a directness that lights it up like nothing else. It's why I read her. -- James Lasdun Olivia Laing is my new favourite non-fiction writer. * Nick Hornby * Her gift as a critic is her ability to imaginatively sympathize with her subjects in a way that allows the art and life of the artist to go on radiating meaning after the book is closed * Elle * A brave writer whose books open up fundamental questions about life and art * Telegraph *


Author Information

Olivia Laing is the author of three acclaimed works of non-fiction. To the River (2011) was shortlisted for the Ondaatje Prize and the Dolman Travel Book of the Year. The Trip to Echo Spring (2013) was shortlisted for the Costa Biography Prize and the Gordon Burn Prize. The Lonely City (2015) won the Eccles British Library Writer's Award, was shortlisted for the Gordon Burn Prize and the National Book Critics Circle Award for Criticism and has been translated into fifteen languages. Her first novel, Crudo, was published in 2018 to great critical acclaim. It was a Sunday Times bestseller and was shortlisted for the Gordon Burn Prize and the Goldsmiths Prize. In 2018 she was awarded a Windham-Campbell Prize for non-fiction.

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