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OverviewFrom Parchment to Cyberspace argues the case for studying high-resolution digital images of original manuscripts to analyze medieval literature. By presenting a rigorous philosophical argument for the authenticity of such images (a point disputed by digital skeptics) the book illustrates how digitization offers scholars innovative methods for comparing manuscripts of vernacular literature – such as The Romance of the Rose or texts by Christine de Pizan – that reveal aspects of medieval culture crucial to understanding the period. Full Product DetailsAuthor: Stephen G. NicholsPublisher: Peter Lang Publishing Inc Imprint: Peter Lang Publishing Inc Edition: New edition Volume: 2 Dimensions: Width: 15.00cm , Height: 1.80cm , Length: 22.50cm Weight: 0.540kg ISBN: 9781433129636ISBN 10: 1433129639 Pages: 268 Publication Date: 15 July 2016 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations – Preface – Introduction: Why I Wrote This Book, or Medieval Manuscripts Unchained – What Is a Manuscript Culture? Materiality and Mimesis: Anatomy of an Illusion – No Fool of Time: The Paradox of Manuscript Transmission – The Work of Reading – Variance as Dynamic Reading – Synoptic reading: Medieval Manuscripts as Text Networks – The Anxiety of Irrelevance: Digital Humanities and Contemporary Critical Theory – Notes – Index.ReviewsThis book will be of great interest to the modern Medievalist and will likely spur on discussion between the different schools of Medieval thought, but it will also appeal to anyone interested in how digital can provide another model for textual transmission [...]. (John Rodzvilla, Publishing Research Quarterly Volume 33, Issue 2/2017) Overall, From Parchment to Cyberspace is a valuable (and, I might add, extravagantly illustrated) contribution to the growing critical conversation on the digitization of medieval manuscripts. Its unusual structure makes it an intriguing resource for teaching as well: individual chapters might teach well as standalone texts. Particularly in the ways that it demonstrates the positive impact of digital manuscripts on the broader study of medieval literature, this book is an intriguing and useful addition to the field. This book will be of great interest to the modern Medievalist and will likely spur on discussion between the different schools of Medieval thought, but it will also appeal to anyone interested in how digital can provide another model for textual transmission [...]. (John Rodzvilla, Publishing Research Quarterly Volume 33, Issue 2/2017) Author InformationStephen G. Nichols, a medievalist, is James M. Beall Professor Emeritus of French and Humanities, and Research Professor at Johns Hopkins University. He has written or edited some 26 books on the Middle Ages, including Romanesque Signs: Early Medieval Narrative and Iconography, for which he received the MLA’s James Russell Lowell Prize. He holds an honorary Docteur ès Lettres, from the University of Geneva, and was decorated Officier de l’Ordre des Arts et Lettres by the French government. The Alexander von Humboldt Foundation awarded him its Research Prize in 2008 and again in 2015. Nichols co-directs JHU’s Digital Library of Medieval Manuscripts (www.romandelarose.org), and co-founded the electronic journal, Digital Philology, A Journal of Medieval Culture, published by the Johns Hopkins University Press. He chaired the Board of the Council of Library Information Resources from 2008 to 2013, and is a Fellow of the American Academy of Arts and Sciences, as well as of the Medieval Academy of America. Tab Content 6Author Website:Countries AvailableAll regions |
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