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OverviewPhotography was invented in the mid-nineteenth century, and ever since that moment painters have been asking what they are there for. Everyone has their own strategy. Some say they do not paint what is there, but their impressions. Others paint things that are not seen in the world, and therefore cannot be photographed, because they are abstractions. Others yet exhibit urinals in art galleries. This may look like the end of art but, instead, it is the dawn of a new day, not only for painting but – this is the novelty – for every form of art, as well as for the social world in general and for industry, where repetitive tasks are left to machines and humans are required to behave like artists. Full Product DetailsAuthor: Maurizio FerrarisPublisher: Brill Imprint: Brill Weight: 0.160kg ISBN: 9789004407565ISBN 10: 9004407561 Pages: 90 Publication Date: 16 May 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsFrom Fountain to Moleskine: the Work of Art in the Age of Its Technological Producibility Maurizio Ferraris Abstract Keywords 1 Pen, Pencil, Pen Drive 2 Mona Lisa. The Canon 3 Fountain. The Break 4 Brillo Box. The Reconciliation 5 Moleskine. The FusionReviewsAuthor InformationMaurizio Ferraris is full Professor of Philosophy at the University of Turin, Deputy Rector for Humanities Research and the President of the LabOnt (www.labont.it). He wrote more than fifty books that have been translated into several languages. Tab Content 6Author Website:Countries AvailableAll regions |
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