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Author:   Sean Griffin
Publisher:   John Wiley and Sons Ltd
Imprint:   Wiley-Blackwell
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.60cm
Weight:   0.544kg
ISBN:  

9781405194952

ISBN 10:   1405194952
Pages:   384
Publication Date:   21 July 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock  
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Table of Contents

Acknowledgments vii Introduction 1 1 Overture: Musical Traditions before Cinema 11 2 You Ain’t Heard Nothin’ Yet: The Sound Revolution 35 3 Face the Music and Dance: The Depression 67 4 Singing a Song of Freedom: World War II 97 5 There’s Beauty Everywhere: MGM and the Freed Unit 125 6 Something’s Gotta Give: The Postwar Musical 147 7 Bustin’ Out All Over: The Rise of the Musical Blockbuster 175 8 In a Minor Key: The B Musical and Beyond 197 9 The Sound of Money: Musicals in the 1960s 225 10 Whistling in the Dark: A Genre in Crisis 251 11 Can’t Stop the Music: Musicals and the New Hollywood 279 12 Just Like Scheherezade: Reviving the Musical Film Genre 307 Index 335

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Author Information

Sean Griffin is a Professor of Film and Media Arts at Southern Methodist University. He is the author of Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out (1999). He is the editor of Hetero: Queering Representations of Straightness (2009) and What Dreams Were Made of: Movie Stars of the 1940s (2011). He co-edited Queer Cinema, The Film Reader (with Harry M. Benshoff, 2005), and co-authored America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Wiley Blackwell , 2009) and Queer Images: A History of Gay and Lesbian Film in America (2006).

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