FrançOis Ozon

Author:   Andrew Asibong ,  Diana Holmes ,  Robert Ingram ,  Bethan Hirst
Publisher:   Manchester University Press
ISBN:  

9781784992835


Pages:   168
Publication Date:   21 January 2016
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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FrançOis Ozon


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Overview

Available in paperback for the first time, this is a full-length study of the films of Francois Ozon, director of such diverse films as 8 femmes, Swimming Pool, 5x2 and Les amants criminels. Andrew Asibong's passionate and critical analysis focuses on the extent to which Ozon's seemingly light touch never ceases to engage with the fundamentally weighty issue of existential transformation, a transformation that affects both his protagonists and his audiences.A central question emerges: what is at stake, cinematically, ethically and politically, in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary social relations.Revealing Ozon as a highly adept 'fan' of a whole range of thought, literature and cinema, Asibong places the precocious French auteur in an intellectual yet highly accessible critical framework, allowing Ozon's importance for a thoroughly postmodern filmgoing generation to be given the attention it deserves. -- .

Full Product Details

Author:   Andrew Asibong ,  Diana Holmes ,  Robert Ingram ,  Bethan Hirst
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 12.90cm , Height: 0.90cm , Length: 19.80cm
Weight:   0.172kg
ISBN:  

9781784992835


ISBN 10:   1784992836
Pages:   168
Publication Date:   21 January 2016
Audience:   College/higher education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Family film-maker: an introduction to François Ozon 1. Desire unlimited: sexualities on the move? 2. Master and servant: society, spectacle and sadomasochistic cinema 3. Shadow of the spectre: cinema beyond relation? 4. Blood, tears and song: genre and the shock of over-stimulation A drop in the ocean: concluding remarks Filmography Index -- .

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Andrew Asibong is Reader in Film and Cultural Studies at Birkbeck, University of London

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