Overview

At the time of his death in 1806, the rococo artist Jean-Honor Fragonard had not painted for two decades.  Following a period of huge public success, the painter's reputation fell. Fragonard: Painting Out of Time takes this prolonged artistic silence as a point of departure to investigate the maverick personality of Fragonard within the lively society of eighteenth-century France. Personally secretive, Fragonard nevertheless created revealing images that undermined a normal sense of space and time.  Satish Padiyar investigates the life and work of the last of the libertine painters of the ancien regime, a contemporary of Denis Diderot and Jean-Jacques Rousseau, and presents dramatic new perspectives on works such as The Progress of Love, painted for Madame du Barry, the infamous The Bolt, and the ever-popular The Swing. 'A brilliant new account of Fragonard's art that reveals some of its most intriguing secrets.' - Ewa Lajer-Burcharth, William Dorr Boardman Professor of Fine Arts, Harvard University, and author of The Painter's Touch: Boucher, Chardin, Fragonard 'Deeply erudite...Fragonard might be taken to embody brilliantly gifted eccentricity, but the author deploys that singularity in ways that illuminate the whole field of later eighteenth-century art.' - Thomas Crow, Rosalie Solow Professor of Modern Art, New York University

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9781789142099

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Reviews

A brilliant new account of Fragonard's art that reveals some of its most intriguing secrets. --Ewa Lajer-Burcharth, William Dorr Boardman Professor of Fine Arts, Harvard University, and author of The Painter's Touch: Boucher, Chardin, Fragonard Deeply erudite. . . . Fragonard might be taken to embody brilliantly gifted eccentricity, but the author deploys that singularity in ways that illuminate the whole field of later eighteenth-century art. --Thomas Crow, Rosalie Solow Professor of Modern Art, New York University

Author Information

Satish Padiyar is Honorary Research Fellow at The Courtauld Institute of Art. His previous publications include Chains: David, Canova, and the Fall of the Public Hero in Postrevolutionary France (2007).

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