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OverviewAn urban sociologist befriends a visionary Detroit craftsman, artist, and inventor. Over the course of the next several years Paul Draus records how Carlos Nielbock’s life experiences act as a lens that refracts the key challenges facing the city of Detroit and presents the city’s redevelopment as an evolving high-stakes drama. Combining sociological context and theory, Draus chronicles Nielbock’s mixed-race upbringing in postwar Germany, his journey to find his Black father in 1980s Detroit, his struggles with racial and cultural adversity, and his ambitious artistic vision for Detroit’s future. Direct observations, interviews, and historical research on Detroit’s ascendance, decline, and resurgence underpin Nielbock’s story. The book explores race and identity, craftsmanship and capitalism, and criminal justice and incarceration. Full Product DetailsAuthor: Paul J Draus , Carlos A NielbockPublisher: Michigan State University Press Imprint: Michigan State University Press Dimensions: Width: 15.20cm , Height: 1.80cm , Length: 25.40cm Weight: 0.313kg ISBN: 9781611865141ISBN 10: 161186514 Pages: 190 Publication Date: 01 February 2025 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsContents Acknowledgments A Note on Illustrations Introduction Chapter 1. Curly Hair, Curly Mind Chapter 2. Welcome to Detroit Chapter 3. Craftsman and Contrarian Chapter 4. Confronted with the Might Chapter 5. Crazy as Hell Chapter 6. Fighting (For) Detroit's Future Conclusion Afterword, by Carlos Antonios Nielbock Epilogue, Marsha Music Farewell to Clarence ReferencesReviews“Sociologist Paul J. Draus and artist Carlos A. Nielbock take on the big issues confronting Detroit—race, immigration, identity—and show how it’s possible to forge new meanings in a battered yet ever hopeful city.” —John Gallagher, former reporter and columnist, Detroit Free Press, and author of Reimagining Detroit: Opportunities for Redefining an American City “This is an important story—twentieth-century Detroit was born from man’s ability to tame metal and machine. In Carlos A. Nielbock, the modern city has a master metal artist whose extraordinary story spans the city’s many destinies—a true visionary who honors the past and hones the future with his craft. He is both a voice and a vision of the city and its future.” —Marcus Lyon, author of i.Detroit: A Human Atlas of an American City ""Sociologist Paul J. Draus and artist Carlos A. Nielbock take on the big issues confronting Detroit--race, immigration, identity--and show how it's possible to forge new meanings in a battered yet ever hopeful city."" --John Gallagher, former reporter and columnist, Detroit Free Press, and author of Reimagining Detroit: Opportunities for Redefining an American City ""This is an important story--twentieth-century Detroit was born from man's ability to tame metal and machine. In Carlos A. Nielbock, the modern city has a master metal artist whose extraordinary story spans the city's many destinies--a true visionary who honors the past and hones the future with his craft. He is both a voice and a vision of the city and its future."" --Marcus Lyon, author of i.Detroit: A Human Atlas of an American City Author InformationPaul J. Draus is a professor of sociology at the University of Michigan–Dearborn and currently serves as faculty director of the University of Michigan Detroit Center. He earned his PhD from Loyola University Chicago in 2001. He has published a book on the social and public health context of the spread of tuberculosis and more than twenty articles and book chapters on topics ranging from substance abuse and street sex work to prison education and urban agriculture. Carlos A. Nielbockis an architectural ornamental metal artist, designer, and craftsman. He was born in Germany in 1959 of a German mother and African American father who was serving in the US Air Force. He apprenticed in the rigorous monastery system in Europe, becoming a journeyman, then master. In 1984, at age twenty-five, he immigrated to the United States, searched for and found his father in Detroit, settled in the city, and began his own practice. His magnificent work is part of the celebrated Fox Theatre restoration, and his installations—massive, self-sustaining windmills and stunning ornamental metalworks—can be seen outside of his workhouse in Detroit’s Eastern Market district., Tab Content 6Author Website:Countries AvailableAll regions |