Film Noir and the Arts of Lighting

Author:   Patrick Keating
Publisher:   Rutgers University Press
ISBN:  

9781978810266


Pages:   266
Publication Date:   12 July 2024
Recommended Age:   From 18 to 99 years
Format:   Hardback
Availability:   In Print   Availability explained
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Film Noir and the Arts of Lighting


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Overview

More than any other set of films from the classical era, the Hollywood film noir is known for its lighting: the cast shadows, the blinking street signs, the eyes sparkling in the darkness. Each effect is rich in symbolism, evoking a world of danger and doppelgangers. But what happens if we set aside the symbolism? This book offers a new account of film noir lighting, grounded in a larger theory of Hollywood cinematography as emotionally engaging storytelling. Above all, noir lighting is dynamic, switching from darkness to brightness and back again as characters change, locations shift, and fates unfold. Richly illustrated, Film Noir and the Arts of Lighting features in-depth analyses of eleven classic movies: The Asphalt Jungle, Sorry, Wrong Number, Odds against Tomorrow, The Letter, I Wake Up Screaming, Phantom Lady, Strangers on a Train, Sweet Smell of Success, Gaslight, Secret beyond the Door, and Touch of Evil.

Full Product Details

Author:   Patrick Keating
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Dimensions:   Width: 15.60cm , Height: 2.30cm , Length: 23.50cm
Weight:   0.567kg
ISBN:  

9781978810266


ISBN 10:   1978810261
Pages:   266
Publication Date:   12 July 2024
Recommended Age:   From 18 to 99 years
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

"“What a glamorous book! By glamorous, I mean sophisticated, dramatic, and mysterious, using Patrick Keating’s own definition of the term. That is, with his refined textual analysis and emotionally engaging writing style, Keating sheds lights on film noir’s inexplicable seductiveness.”  -- Daisuke Miyao * author of The Aesthetics of Shadow: Lighting and Japanese Cinema * “Patrick Keating is our ablest commentator on the power of cinematography in American film's history. In this newest volume, Keating stunningly demonstrates how our overall grasp of Hollywood studio-era filmmaking is enriched when we take film noir not as a subversion of the system but its enrichment — an expressive extension of its visual means to some of their most innovative ends. There are rich insights in every turn of the page of this consequential study.""   -- Dana Polan * Martin Scorsese Professor of Cinema Studies, NYU * ""Like a great cinematographer, Keating sheds light on both the form and function of lighting within film noir, substantially recasting our understanding of much of classical Hollywood cinema in the process.  A must-read work for noir aficionados and scholars alike.""   -- Donna Kornhaber * author of Nightmares in the Dream Sanctuary: War and the Animated Film *"


"""Patrick Keating is our ablest commentator on the power of cinematography in American film's history. In this newest volume, Keating stunningly demonstrates how our overall grasp of Hollywood studio-era filmmaking is enriched when we take film noir not as a subversion of the system but its enrichment -- an expressive extension of its visual means to some of their most innovative ends. There are rich insights in every turn of the page of this consequential study."" --Dana Polan ""Martin Scorsese Professor of Cinema Studies, NYU"" ""What a glamorous book! By glamorous, I mean sophisticated, dramatic, and mysterious, using Patrick Keating's own definition of the term. That is, with his refined textual analysis and emotionally engaging writing style, Keating sheds lights on film noir's inexplicable seductiveness."" --Daisuke Miyao ""author of The Aesthetics of Shadow: Lighting and Japanese Cinema"""


Author Information

PATRICK KEATING is a professor in the Department of Communication at Trinity University in San Antonio, Texas. He is the author of The Dynamic Frame: Camera Movement in Classical Hollywood and the editor of Cinematography (Rutgers University Press).  

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