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OverviewHow do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity. Full Product DetailsAuthor: Maarten CognartsPublisher: Academic Studies Press Imprint: Academic Studies Press Weight: 0.633kg ISBN: 9781618118363ISBN 10: 1618118366 Pages: 264 Publication Date: 28 November 2019 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviewsAuthor InformationMaarten Cognartsholds a PhD in Film Studies and Visual Culture and an MA in Sociology(University of Antwerp). Since 2010 he has researched the interplaybetween metaphor, image schemas, and cinema. The results have been published invarious peer-reviewed journals such as Metaphorand Symbol, New Review of Film andTelevision Studies and Projections.He is also co-editor of the book EmbodiedCognition and Cinema (Leuven University Press, 2015). Tab Content 6Author Website:Countries AvailableAll regions |
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