Feeling History: Lucan, Stoicism, and the Poetics of Passion

Author:   Francesca D'Alessandro Behr
Publisher:   Ohio State University Press
ISBN:  

9780814257180


Pages:   274
Publication Date:   29 January 2021
Format:   Paperback
Availability:   In stock   Availability explained
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Feeling History: Lucan, Stoicism, and the Poetics of Passion


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Overview

Feeling History is a study of apostrophe (i.e., the rhetorical device in which the narrator talks directly to his characters) in Lucan's Bellum Civile. Through the narrator's direct addresses, irony, and grotesque imagery, Lucan appears not as a nihilist, but as a character deeply concerned about ethics. The purpose of this book is to demonstrate how Lucan's style represents a criticism of the Roman approach to history, epic, ethics, and aesthetics. The book's chief interest lies in the ethical and moral stance that the poet-narrator takes toward his characters and his audience. To this end, Francesca D'Alessandro Behr studies the ways in which the narrator communicates ethical and moral judgments. Lucan's retelling of this central historical epic triggers in the mind of the reader questions about the validity of the Roman imperial project as a whole. An analysis of selected apostrophes from the Bellum Civile allows us to confront issues that are behind Lucan's disquieting imagery: how can we square the poet's Stoic perspectives with his poetically conveyed emotional urgency? Lucan's approach seems inspired by Aristotle, especially his Poetics, as much as by Stoic philosophy. In Lucan's aesthetic project, participation and alienation work as phases through which the narrator leads the reader to a desired understanding of his work of art. At the same time, the reader is confronted with the ends and limits of the aesthetic enterprise in general. Lucan's long-acknowledged political engagement must therefore be connected to his philosophical and aesthetic stance. In the same way that Lucan is unable to break free from the Virgilian model, neither can he develop a defense of morality outside of the Stoic mold. His philosophy is not a crystal ball to read the future or a numbing drug imposing acceptance. The philosophical vision that Lucan finds intellectually and aesthetically compelling does not insulate his characters (and readers) from suffering, nor does it excuse them from wrongdoing. Rather, it obligates them to confront the responsibilities and limits of acting morally in a chaotic world.

Full Product Details

Author:   Francesca D'Alessandro Behr
Publisher:   Ohio State University Press
Imprint:   Ohio State University Press
Dimensions:   Width: 15.20cm , Height: 1.60cm , Length: 22.90cm
Weight:   0.404kg
ISBN:  

9780814257180


ISBN 10:   0814257186
Pages:   274
Publication Date:   29 January 2021
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

"""This book is a well-researched discussion of Lucan's extremely challenging poem on the Civil War between Caesar and Pompey. Working from a fine-grained analysis of one formal aspect of the poem, Lucan's use of the literary trope of apostrophe, the author goes on to investigate what the use of apostrophe might indicate about the philosophical outlook of Lucan's dark picture of the Civil War and the Empire that grew out of it."" --Catherine Connors, University of Washington"


This book is a well-researched discussion of Lucan's extremely challenging poem on the Civil War between Caesar and Pompey. Working from a fine-grained analysis of one formal aspect of the poem, Lucan's use of the literary trope of apostrophe, the author goes on to investigate what the use of apostrophe might indicate about the philosophical outlook of Lucan's dark picture of the Civil War and the Empire that grew out of it. --Catherine Connors, University of Washington


Author Information

Francesca D'Alessandro Behr is associate professor of classics and Italian studies at the University of Houston.

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