Faith and Beauty: A Theological Aesthetic

Author:   Edward Farley ,  Revd Dr. Jeremy Begbie ,  Professor Trevor Hart ,  Professor Roger Lundin
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9780754604532


Pages:   132
Publication Date:   22 August 2001
Format:   Hardback
Availability:   In Print   Availability explained
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Faith and Beauty: A Theological Aesthetic


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Author:   Edward Farley ,  Revd Dr. Jeremy Begbie ,  Professor Trevor Hart ,  Professor Roger Lundin
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Weight:   0.342kg
ISBN:  

9780754604532


ISBN 10:   0754604535
Pages:   132
Publication Date:   22 August 2001
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Preface. Beauty as the Beast: traditional and postmodern expressions: Beauty and the postmodern; Beauty as the beast in Christian traditions; Hebrew and Christian iconoclasms. Beauty as Being: The Irrepressible Character of Beauty: The 'great theory of beauty'; The Olympian cosmogonies; The Platonic tradition; The 'great theory' in the Middle Ages; The process transmutation of the great theory of beauty; beauty as being. Beauty as Sensibility: Precursors of the 18th-century turn; The new problematic of beauty in the 18th century; The psychological relocation of beauty; The problem of taste; The sublime; Legacies and ambiguities. Beauty as Benevolence: Primary and secondary beauty; Beauty as community; Beauty and God; The problem of objectivity; Beauty and self-transcendence. Beauty in Human Self-Transcendence: Human self-transcendence without beauty; Self-transcendence as passionate subjectivity; Self-transcendence as intentional meaning; Self-transcendence as radical responsibility; The aesthetic aspect of self-transcendence; Beauty as a transcendental condition of experience; Beyond self-preoccupation through beauty; The beauty of the graceful body; Summary. Paths to Beauty in 20th-Century Theology: Anti-aesthetic Protestant approaches to beauty; 20th-century Catholic theologies of beauty. The Beauty of Human Redemption: The image of God as self-transcendence; Formal and ethical self-transcendence; The image of God as potentiality and actuality; The imago dei as beautiful; The despoiled image; The beauty of redemptive remaking; Redemptive self-transcendence; Surmounting the dichotomy of the ethical and the aesthetic; Faith's aesthetic sensibilities. Beauty, Pathos and Joy: Beauty and pathos; Joy: beyond the dichotomy of rigorism and satisfaction; Faith without beauty; The arts in the life of faith. Synopsis: Aesthetics; Beauty; The western story of beauty; Theological aesthetics and redemptive transformation; Index.

Reviews

'The most important book I have read for years. Farley strikes the right chord in the way he goes behind the current discussion and lays a solid foundation for the kind of theological depth that has to be brought to the question of beauty. He makes the issue alive to the most recent scholarship' John Cook, President of the Henry Luce Foundation, USA 'In this eloquently written book, Edward Farley brings a gentle, carefully crafted clarity to these matters...With much dexterity, he exposes and challenges some of the dichotomies that have marred a proper appreciation of beauty, not least in the Church...The discussion is rich and full of wisdom, and a model of how to say a great deal with few words.' Theology ' ...Farley's focus on the transformative aspects of beauty allows him to innovatively harmonize a variety of divergent theoretical strands into a complex and satisfying theological asesthetic that is itself beautiful, in the Whiteheadian sense of being a real creative accomplishment of synthesis.' Journal of Religion 'Farley follows a course from ancient Greece, through the Middle Ages and the eighteenth century to the modern day. His aim is to establish a link between faith, understood as the experience of a redeemed life, and aesthetic experience... Farley's route...is to seek for beauty in the process of redemptive remaking, through the restoration of the divine image in human being marred by sin... it does...point to the potential fruitfulness of a renewed debate between Christian thinkers and contemporary artists.' Art and Christianity Enquiry Bulletin 'In grappling with Christian theology and with aesthetics, Farley has illuminated a valuable area of discussion.' Church Times 'In this magisterial study Farley attempts to situate the transcendental of beauty within the Christian experience of faith. Studying the conflictual relationship between Christianity and esthetic concerns, Farley develops a useful typology of the various identities beauty has assumed in Western culture: beauty as beast, as being, as sensibility, as benevolence, and as self-transcendence... It offers a welcome counterpoint to the contemporary vapors of creation theology intoxicated by facile beauties and cheap grace.' Theological Studies '... Farley's analysis reminds us of some important past work in theological aesthetics, and his conclusions desperately need advocating in our post-modern society.' Themelios 'Edward Farley has produced a work on beauty characterized by enormous theological depth, simplicity of style and lapidary insight. His theological aesthetic is concerned to develop an understanding of the intrinsic relationship of beauty, or that which is intrinsically attractive, to faith, as the life of communal and individual response which arises with redemption... This is a wonderful book which goes a long way in restoring the idea of and passion for redemptive beauty to our world. It is in itself a moment of that redemptive beauty.' Modern Theology


'The most important book I have read for years. Farley strikes the right chord in the way he goes behind the current discussion and lays a solid foundation for the kind of theological depth that has to be brought to the question of beauty. He makes the issue alive to the most recent scholarship' John Cook, President of the Henry Luce Foundation, USA 'In this eloquently written book, Edward Farley brings a gentle, carefully crafted clarity to these matters...With much dexterity, he exposes and challenges some of the dichotomies that have marred a proper appreciation of beauty, not least in the Church...The discussion is rich and full of wisdom, and a model of how to say a great deal with few words.' Theology ' ...Farley's focus on the transformative aspects of beauty allows him to innovatively harmonize a variety of divergent theoretical strands into a complex and satisfying theological asesthetic that is itself beautiful, in the Whiteheadian sense of being a real creative accomplishment of synthesis.' Journal of Religion 'Farley follows a course from ancient Greece, through the Middle Ages and the eighteenth century to the modern day. His aim is to establish a link between faith, understood as the experience of a redeemed life, and aesthetic experience... Farley's route...is to seek for beauty in the process of redemptive remaking, through the restoration of the divine image in human being marred by sin... it does...point to the potential fruitfulness of a renewed debate between Christian thinkers and contemporary artists.' Art and Christianity Enquiry Bulletin 'In grappling with Christian theology and with aesthetics, Farley has illuminated a valuable area of discussion.' Church Times 'In this magisterial study Farley attempts to situate the transcendental of beauty within the Christian experience of faith. Studying the conflictual relationship between Christianity and esthetic concerns, Farley develops a useful typology of the various identit


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Edward Farley,

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