Fabric of Vision: Dress and Drapery in Painting

Author:   Anne Hollander (N/A)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781474251648


Pages:   208
Publication Date:   22 September 2016
Format:   Paperback
Availability:   To order   Availability explained
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Fabric of Vision: Dress and Drapery in Painting


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Overview

Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today’s generation of students and anyone with an interest in art and fashion.

Full Product Details

Author:   Anne Hollander (N/A)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Visual Arts
Dimensions:   Width: 21.90cm , Height: 1.50cm , Length: 27.60cm
Weight:   0.740kg
ISBN:  

9781474251648


ISBN 10:   1474251641
Pages:   208
Publication Date:   22 September 2016
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Author's Acknowledgements Foreword Introduction I Cloth of Honour II Liberated Draperies III Sensuality, Sanctity, Zeal IV High Artifice V Romantic Simplicity: Women VI Romantic Simplicity: Men VII Restraint and Display VIII Nude and Mode IX Woman as Dress X Form and Feeling List of Illustrations Bibliography Index

Reviews

A beautifully written, beautifully illustrated introduction to the whole of western European painting from the 14th century through the 20th from a specific, yet basic and widely interesting point of view. This is not just a book for people fascinated by clothes, but for anyone who likes to think about paintings. ... The writing is exceptionally deft; the ideas will interest novices and experts alike. Choice [Fabric of Vision] demonstrates how artists used garments and draperies as an expressive means in their paintings. Covering Western European art from the Renaissance to the 20th century, Hollander shows how fabric in art reflected each era's social preoccupations, fashions, and tastes ... The text is illustrated by more than 140 beautiful full-color illustrations of works by such artists as Tintoretto, Van Dyck, Delacroix, and Picasso. Throughout, Hollander brings new insight into the fields of both art and costume history. Sandra Rothenberg, Library Journal Anne Hollander's Fabric of Vision: Dress and Drapery in Painting ... is rich with color reproductions showing this and other splendid yardage from the classical period through the mid-20th century ... A dynamic and provocative study. Suzanne Cleary, Bloomsbury Review Fabric of Vision is a unique and welcome contribution to art history and criticism that will doubtless serve as a valuable scholarly resource. Reid Ahlbeck, Dialogue Illuminating. Kim Waller, Victoria magazine


Author Information

Anne Hollander was an independent art historian, critic and historian of dress who was renowned for her bold studies of the evolution of costume. A fellow of the New York Institute for the Humanities and former president of PEN American Center, she was the author of influential books on the subject of costume and fabric in art, Seeing through Clothes and Sex and Suits, as well as Moving Pictures, on the influence of painting on cinema.

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