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OverviewFull Product DetailsAuthor: Peter C. PugsleyPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9780367597474ISBN 10: 0367597470 Pages: 194 Publication Date: 30 June 2020 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Figures vii List of Tables ix Acknowledgements xi Introduction 1 1 Indian Cinema’s New Aesthetic 13 2 Visual Decorum and Chasteness in Chinese Film 41 3 Maintaining Respectability in Singaporean and Malaysian Cinema 73 4 An Open Mind: Japanese Cinema’s Sexual Revolution 99 5 Culture, Tradition and Sexuality in South Korean Cinema 117 Conclusion 131 Films Cited 141 Bibliography 149 IndexReviews'Pugsley offers fresh perspectives on how contemporary Asian cinemas are transforming by challenging the cultural policy regimes that historically have shaped the ways in which their films represent gender and sexuality on screen. This book is key reading for anyone interested in peering into the rise and transformation of Asia and learning more about a bevy of dynamic filmmakers and films that are pushing the boundaries of self-expression and cultural diversity in the region.' Brian Yecies, University of Wollongong, Australia; author of The Changing Face of Korean Cinema, 1960-2015 Author InformationDr. Peter C. Pugsley is Senior Lecturer in the Department of Media at the University of Adelaide in South Australia. He teaches in the subjects Asian Screen Media, Advanced Media Theory, Broadcast TV & Radio, and Japanese Media Cultures (taught in Kyoto, Japan). Peter was formerly based in the Media and Communications Program at the University of Melbourne, Australia, and also taught in the MA (Communications) at RMIT University. In October 2011 he was a Visiting Research fellow at Sophia University, Tokyo. In 2013 he published the sole-authored monograph Tradition, Culture and Aesthetics in Contemporary Asian Cinema (Ashgate). His published work has appeared in refereed journals including Asian Studies Review, International Communication Gazette, Asian Journal of Communication, Continuum: Journal of Media & Cultural Studies and Westminster Papers on Communication and Culture. Recent book chapters include 'Hong Kong Film as Crossover Cinema: Maintaining the HK Aesthetic', in Crossover Cinema: Cross-Cultural Film from Production to Reception, (2013) edited by Sukhmani Khorana, Routledge, and ’Asia: The Nationalist Geopolitics of India's Hindi Cinema’, in The Routledge Companion to Film and Politics (2014), edited by Yannis Tzioumakis and Claire Molloy, Routledge, London. Tab Content 6Author Website:Countries AvailableAll regions |
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