Essay Cinema in the Digital Era

Author:   James Slaymaker
Publisher:   Springer International Publishing AG
Edition:   2024 ed.
ISBN:  

9783031740411


Pages:   278
Publication Date:   02 January 2025
Format:   Hardback
Availability:   Not yet available   Availability explained
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Essay Cinema in the Digital Era


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Overview

This book explores the impact of digital technology on the essay film in the early 21st century, arguing that the cinematic essay has been associated with technological evolution throughout its history. The author considers the output of four towering figures in essay filmmaking: Harun Farocki, Chris Marker, Chantal Akerman and Jean-Luc Godard, and explores the ways in which these directors utilise aesthetic strategies, editing techniques, and modes of spectatorial address that are rooted in the capabilities of digital technologies. Slaymaker conceptualises the cinematic essay as a self-reflexive mode of nonfiction cinema—one that foregrounds the filmmaking apparatus and the act of its own making, and which thereby launches an inquiry into the ontological nature of the cinematic image, the tools which construct it, and the wider artistic landscape in which it is embedded.

Full Product Details

Author:   James Slaymaker
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   2024 ed.
ISBN:  

9783031740411


ISBN 10:   3031740416
Pages:   278
Publication Date:   02 January 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Chapter 1.- Introduction.-Chapter 2.- Essay Cinema and Technological Innovation.-Chapter 3.- Interactivity and Dialogical Exchange in Chris Marker’s Immemory and Ouvroir.-Chapter 4.-Jean-Luc Godard, Intertextuality, and Digital Remix Culture.-Chapter 5.-Capturing the Domestic Space in an Era of Ubiquitous Digital Media: Chantal Akerman’s No Home Movie.-Chapter 6.-Simulation, Gameplay, and the Non-Indexical Image in Harun Farocki’s Serious Games I-IV and Parallel I-IV.-Chapter 7.-Conclusion: Essaying the Future.-Index.

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Author Information

James Slaymaker is a filmmaker, researcher and Teaching Fellow in Film Studies at Trinity College Dublin. He has written numerous journal articles, book chapters and conferences papers on digital technology, European cinema, the essay film, and experimental film. He is also a prolific writer of popular film criticism.

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