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OverviewFull Product DetailsAuthor: Frederick Bianchi (Professor of Humanities and Arts, Professor of Humanities and Arts, Worcester Polytechnic Institute) , V. J. Manzo (Assistant Professor of Music Technology and Perception, Assistant Professor of Music Technology and Perception, Worcester Polytechnic Institute)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 25.10cm , Height: 1.30cm , Length: 17.80cm Weight: 0.499kg ISBN: 9780190234621ISBN 10: 0190234628 Pages: 232 Publication Date: 04 August 2016 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents"Foreword Preface Acknowledgments Introduction 1. Sonifications of Global Environmental Data Andrea Polli 2. Sewer Pipe Organ Philip Blackburn 3. Biophonic Sound Sculptures in Public Spaces Bernie Krause 4. A Philosophical Report From Work-In-Progress David Dunn 5. Listening to the Earth John Bullitt 6. The Place Where You Go to Listen: An Ecosystem of Sound and Light John Luther Adams 7. Meltwater Cheryl E. Leonard 8. Hearing Curved Space Jeff Talman 9. River Listening Leah Barclay 10. Sun Boxes Craig Colorusso 11. Bridge Music and Tower Music Joseph Bertolozzi 12. Data as Music: Why Musically Encoded Sonification Design Offers a Rich Palette for Information Display Marty Quinn 13. Sonic Landscapes (finding a sense of place with my ears) Bruce Odland 14. Sonic Migrations: listening in-between, sensing place Ximena Alarcón 15. Sound Architecture Zimoun 16. The Sonic Ecology of Structures China Blue 17. Why Bring Nature Into Your Music? David Rothenberg 18. The Dawn Chorus Gordon Hempton 19. Bivvy Broadcasts Dawn Scarfe 20. A Philosophy of Eco-acoustics in the Interdisciplinary Project ""Fragments of Extinction"" David Monacchi 21. Towards Activist Sound: N30 Live at the WTO Protest November 30, 1999 Christopher DeLaurenti 22. The Listening Experience of ""Paramnesia"" Aki Pasoulas 23. Musical Heuristics in Six Ecoacoustic Quintets Matthew Burtner Index"ReviewsEnvironmental Sound Artists: In Their Own Words is an extraordinary collection of self-descriptions of wonderfully alive and often iconoclastic work being done by ESAs today. Extremely well organized, edited, and exampled by Frederick Bianchi and VJ Manzo, it will amaze, confound, entertain, and, most importantly inform those with open minds on the present and future of art made in the free world. Unencumbered by strict labels of their work, these artists breathe air into oftentimes stagnant and commercial versions and views of art as described and prescribed by constraints arbitrarily defined centuries ago. I can't recommend it more enthusiastically. David Cope """Environmental Sound Artists: In Their Own Words is an extraordinary collection of self-descriptions of wonderfully alive and often iconoclastic work being done by ESAs today. Extremely well organized, edited, and exampled by Frederick Bianchi and VJ Manzo, it will amaze, confound, entertain, and, most importantly inform those with open minds on the present and future of art made in the free world. Unencumbered by strict labels of their work, these artists breathe air into oftentimes stagnant and commercial versions and views of art as described and prescribed by constraints arbitrarily defined centuries ago. I can't recommend it more enthusiastically.""--David Cope ""Bianchi, Manzo, and the contributors to their book present music studies with a wealth of critical research and creative practices that will influence new social science and humanities research, short-term field studies in the classroom, and studio courses. With Environmental Sound Artists: In Their Own Words, we welcome a valuable addition to the field of sound studies and to music libraries across the globe."" --Notes" Environmental Sound Artists: In Their Own Words is an extraordinary collection of self-descriptions of wonderfully alive and often iconoclastic work being done by ESAs today. Extremely well organized, edited, and exampled by Frederick Bianchi and VJ Manzo, it will amaze, confound, entertain, and, most importantly inform those with open minds on the present and future of art made in the free world. Unencumbered by strict labels of their work, these artists breathe air into oftentimes stagnant and commercial versions and views of art as described and prescribed by constraints arbitrarily defined centuries ago. I can't recommend it more enthusiastically. --David Cope Bianchi, Manzo, and the contributors to their book present music studies with a wealth of critical research and creative practices that will influence new social science and humanities research, short-term field studies in the classroom, and studio courses. With Environmental Sound Artists: In Their Own Words, we welcome a valuable addition to the field of sound studies and to music libraries across the globe. --Notes Author InformationFrederick Bianchi is a composer and music technologist. Recognized internationally for his musical compositions, installations, and innovative music technology development, Bianchi has been associated with interactive music applications since the mid-1980s. V.J. Manzo is Assistant Professor of Music Technology and Cognition at Worcester Polytechnic Institute. He is the author of the books MAX/MSP/Jitter for Music, Foundations of Music Technology, and co-author of Interactive Composition, all published by Oxford University Press. Tab Content 6Author Website:Countries AvailableAll regions |
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