Free Delivery Over $100
|
|
|||
|
||||
OverviewRevealing cinema's place in the coevolution of media technology and the human Cinema did not die with the digital, it gave rise to it. According to Jeffrey West Kirkwood, the notion that digital technologies replaced analog obscures how the earliest cinema laid the technological and philosophical groundwork for the digital world. In Endless Intervals, he introduces a theory of semiotechnics that explains how discrete intervals of machines came to represent something like a mind-and why they were feared for their challenge to the uniqueness of human intelligence. Examining histories of early cinematic machines, Kirkwood locates the foundations for a scientific vision of the psyche as well as the information age. He theorizes an epochal shift in the understanding of mechanical stops, breaks, and pauses that demonstrates how cinema engineered an entirely new model of the psyche-a model that was at once mechanical and semiotic, discrete and continuous, physiological and psychological, analog and digital. Recovering largely forgotten and untranslated texts, Endless Intervals makes the case that cinema, rather than being a technology assaulting the psyche, is in fact the technology that produced the modern psyche. Kirkwood considers the ways machines can create meaning, offering a fascinating theory of how the discontinuous intervals of soulless mechanisms ultimately produced a rich continuous experience of inner life. Full Product DetailsAuthor: Jeffrey West KirkwoodPublisher: University of Minnesota Press Imprint: University of Minnesota Press Dimensions: Width: 14.00cm , Height: 2.50cm , Length: 21.60cm Weight: 0.227kg ISBN: 9781517912536ISBN 10: 1517912539 Pages: 256 Publication Date: 25 October 2022 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviews"""Articulating a powerful and provocative challenge to received wisdom about early film and its relations to digital technologies, Endless Intervals situates analog cinema’s management of discrete images and operations as a necessary context for understanding contemporary debates over AI and its apparent ability to transform discontinuous states into continuous meaning. This is an important book that complicates neat media-historical narratives and media-theoretical distinctions alike.""—Shane Denson, author of Discorrelated Image ""The idea behind Endless Intervals is rich and fascinating. Its great strength is that it offers a rich insight into the politics of the mind in Germany in the late nineteenth and early twentieth century.""—Leonardo " Articulating a powerful and provocative challenge to received wisdom about early film and its relations to digital technologies, Endless Intervals situates analog cinema's management of discrete images and operations as a necessary context for understanding contemporary debates over AI and its apparent ability to transform discontinuous states into continuous meaning. This is an important book that complicates neat media-historical narratives and media-theoretical distinctions alike. -Shane Denson, author of Discorrelated Image The idea behind Endless Intervals is rich and fascinating. Its great strength is that it offers a rich insight into the politics of the mind in Germany in the late nineteenth and early twentieth century. -Leonardo Articulating a powerful and provocative challenge to received wisdom about early film and its relations to digital technologies, Endless Intervals situates analog cinema's management of discrete images and operations as a necessary context for understanding contemporary debates over AI and its apparent ability to transform discontinuous states into continuous meaning. This is an important book that complicates neat media-historical narratives and media-theoretical distinctions alike. -Shane Denson, author of Discorrelated Image ""Articulating a powerful and provocative challenge to received wisdom about early film and its relations to digital technologies, Endless Intervals situates analog cinema’s management of discrete images and operations as a necessary context for understanding contemporary debates over AI and its apparent ability to transform discontinuous states into continuous meaning. This is an important book that complicates neat media-historical narratives and media-theoretical distinctions alike.""—Shane Denson, author of Discorrelated Image ""The idea behind Endless Intervals is rich and fascinating. Its great strength is that it offers a rich insight into the politics of the mind in Germany in the late nineteenth and early twentieth century.""—Leonardo Author InformationJeffrey West Kirkwood is associate professor of art history at Binghamton University and fellow at Cornell University's Society for the Humanities. He is coeditor of Ernst Kapp's Elements of a Philosophy of Technology (Minnesota, 2018). Tab Content 6Author Website:Countries AvailableAll regions |
||||
