Overview

In Endless Andness, Mieke Bal pioneers a new understanding of the political potential of abstract art which does not passively yield its meaning to the viewer but creates it anew - an art perceived not only through the retina but experienced viscerally. In this book, the third of her companion volumes on art's political agency, Bal explores perception through an intense engagement with the work of Belgian sculptor Ann Veronica Janssens. In a series of vividly-recalled encounters with Janssen's practice over a number of years, Balpresents a new conception of embodied perception - art experienced in a body conjured into participation and transformed by the experience. From Janssens' 'mist room' works and the CorpsNoir sculptures through to the fugitive, porous Aerogel, Bal traces an art which eludes the subject-object distinction to alter our ideas about the potential of political art in abstract and figurative forms. Enticing us simultaneously to lose ourselves and to come home, the tenuous materiality of installation art empowers those who live in the permanently lost and migratoryc ondition that characterizes contemporary experience. In celebrating and interrogating the work of this prolific and innovative artist, Mieke Baltransforms our understanding of non-representational art to create a new awareness of perception and performance in the shared spaces of our world.

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9781472528186

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Reviews

Both a profound reflection on the categories for thinking about art, and a study of a remarkable series of art installations. Endless Andness is a powerful and eloquent evocation of the experience of art that otherwise would envelop the viewer in its singular spaces. In exploring such concepts as performativity, deixis, and participatory observation, concepts that enable reflection on Janssens' art events, Mieke Bal offers a broad framework for thinking about art today. Jonathan Culler, Professor of English, Cornell University, USA Mieke Bal's absorbing and comprehensive study of the work of Ann Veronica Janssens is an exemplary achievement on many levels. Bal teases out the playful, affective but rigorous character of the artist's 'sculptural' works, showing how they draw participant viewers into experiment with 'the ungraspable yet utterly material that exists beyond the burden of objects.' In doing so, she shows how these works exemplify a novel Deleuzian concept of abstraction, as well as a democratic and empowering sense in which art can be 'political.' This is a book for anyone with an interest in contemporary art, philosophy and a more modest sense of the political. Paul Patton, Professor of History and Philosophy, University of New South Wales, Australia

Author Information

Mieke Bal is the author of Reading Rembrandt: Beyond the Word-Image Opposition, Narratology: Introduction to the Theory of Narrative, and many other books. She is Professor of the Theory of Literature at the University of Amsterdam, and has also been affiliated with Columbia University, the University of Rochester, and Cornell University, USA.

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