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OverviewA wide-ranging and accessible approach to Godard's later work, and a major intervention in the study of film and ethics. Full Product DetailsAuthor: James S. WilliamsPublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 17.80cm , Height: 2.50cm , Length: 25.40cm Weight: 0.227kg ISBN: 9781438460635ISBN 10: 1438460635 Pages: 338 Publication Date: 01 June 2016 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews"""A landmark contribution to our understanding of Godard and of modernist expression as a whole."" - David Sterritt, author of The Films of Jean-Luc Godard: Seeing the Invisible ""Writing with a delirious lucidity, Williams opens Godard to debate and dialogue that informs, extends, opens, and illuminates what may be the greatest and most complex body of cinema of the last half-century."" - Tom Conley, author of Film Hieroglyphs: Ruptures in Classical Cinema" A landmark contribution to our understanding of Godard and of modernist expression as a whole. - David Sterritt, author of The Films of Jean-Luc Godard: Seeing the Invisible Writing with a delirious lucidity, Williams opens Godard to debate and dialogue that informs, extends, opens, and illuminates what may be the greatest and most complex body of cinema of the last half-century. - Tom Conley, author of Film Hieroglyphs: Ruptures in Classical Cinema Author InformationJames S. Williams is Professor of Modern French Literature and Film at Royal Holloway, University of London. His books include Space and Being in Contemporary French Cinema; Gender and French Cinema (coedited with Alex Hughes); and The Erotics of Passage: Pleasure, Politics, and Form in the Later Work of Marguerite Duras. Tab Content 6Author Website:Countries AvailableAll regions |
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